An iconic feature of the Maine coast (and in a few places inland), lighthouses have served as important navigational aids but also as tourist attractions, art subjects, and advertising symbols. This lavishly illustrated third volume in Historic New England's visual history series explores the lives and legends of lighthouse keepers, shares tales of maritime disasters, examines the architecture of lighthouses, and discusses efforts to preserve lighthouses themselves. It also explains how Maine's lighthouses have inspired myriad forms of representation, from paintings, photographs, and children's stories to tabletop models and all sorts of practical bric-a-brac. The lights were key to the development of the tourist trade in Maine (beyond facilitating safe landings), and they are a ubiquitous symbol on corporate logos, advertisements, souvenirs, and collectibles--from the past to the present. The ten chapters are from a variety of contributors, and each chapter is richly illustrated with photographs and ephemera culled from private and public collections. Dynamically designed with fold-out covers, this book is indeed a treasure-trove of lighthouse information and images.
Edited by RICHARD CHEEK, the book features contributions by W. H. BUNTING, maritime historian; THOMAS ANDREW DENENBERG, director of the Shelburne Museum; TIMOTHY HARRISON, editor of Lighthouse Digest magazine; KIRK F. MOHNEY, assistant director of the Maine Historic Preservation Commission; DAVID RICHARDS, director of the Margaret Chase Smith Library; and EARLE G. SHETTLEWORTH, Jr., director of the Maine Historic Preservation Commission and Maine State Historian.
"synopsis" may belong to another edition of this title.
Edited by RICHARD CHEEK, the book features contributions by W. H. BUNTING, maritime historian; THOMAS ANDREW DENENBERG, director of the Shelburne Museum; TIMOTHY HARRISON, editor of Lighthouse Digest magazine; KIRK F. MOHNEY, assistant director of the Maine Historic Preservation Commission; DAVID RICHARDS, director of the Margaret Chase Smith Library; and EARLE G. SHETTLEWORTH, Jr., director of the Maine Historic Preservation Commission and Maine State Historian.
An iconic feature of the Maine coast (and in a few places inland), lighthouses have served as important navigational aids but also as art subjects and tourist attractions and advertising symbols. This highly illustrated third volume in Historic New England's new series explores the lives and legends of lighthouse keepers, shares tales of maritime disasters, explores the architecture of lighthouses, and discusses efforts to preserve lighthouses themselves. It also examines the influence of Maine's lighthouses, from literature to paintings and photographs to tabletop models and all sorts of practical bric-a-brac. They were key to the development of the tourist trade in Maine (beyond facilitating safe landings), and they are a ubiquitous symbol on corporate logos, advertising symbols, souvenirs, and collectibles from the past to the present.
The ten chapters are from a variety of contributors, and each chapter is richly illustrated with photographs and ephemera culled from private and public collections. The fold-out covers feature daytime postcards of Maine lighthouses at the front and nighttime postcards at the back.
An iconic feature of the Maine coast (and in a few places inland), lighthouses have served as important navigational aids but also as art subjects and tourist attractions and advertising symbols. This highly illustrated third volume in Historic New England's new series explores the lives and legends of lighthouse keepers, shares tales of maritime disasters, explores the architecture of lighthouses, and discusses efforts to preserve lighthouses themselves. It also examines the influence of Maine's lighthouses, from literature to paintings and photographs to tabletop models and all sorts of practical bric-a-brac. They were key to the development of the tourist trade in Maine (beyond facilitating safe landings), and they are a ubiquitous symbol on corporate logos, advertising symbols, souvenirs, and collectibles from the past to the present.The ten chapters are from a variety of contributors, and each chapter is richly illustrated with photographs and ephemera culled from private and public collections. The fold-out covers feature daytime postcards of Maine lighthouses at the front and nighttime postcards at the back.
"About this title" may belong to another edition of this title.
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
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Seller: AVON HILL BOOKS, Cambridge, MA, U.S.A.
Softcover. Condition: Near Fine. Stiff laminated pictorial wraps with flaps. Quality paper stock, beautiful color illustrations throughout. Due to size, ships within US only and only by media rate mail. ; Small 4to 9" - 11" tall; 240 pp. Seller Inventory # 56200
Seller: Nilbog Books, Portland, ME, U.S.A.
Soft cover. Condition: As New. Dust Jacket Condition: None Issued. 1st Edition. This is a Very Fine (Appears Unread) copy of the first edition (1st Printing). The cover is laminated and folded. This copy is Signed by the author on the title page. No other names. Illustrated throughout primarily in full color.Fascinating subject. Signed by Author(s). Seller Inventory # 055239
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paperback. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind. Seller Inventory # rev2240052330
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Paperback. Condition: Brand New. 240 pages. 10.90x8.30x0.80 inches. In Stock. Seller Inventory # __088448338X
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