Edward Hopper's paintings are icons of American culture. His representations of gas stations, storefronts, cafeterias and hotel rooms embody the solitude of travel and adult life in the America of the thirties, forties and fifties. Because of the familiarity of his subject matter, Hopper has been pigeon-holed both historically, as an American realist, and thematically, as an artist of alienation.
Mark Strand, recent poet laureate and writer of many books of award-winning poetry, approaches Hopper's work with a fresh eye, exploring the aesthetic principles behind the paintings. Strand, whose poems move through a terrain similar to that portrayed by Hopper, possesses a unique and powerful understanding of what makes the paintings so moving and memorable. He writes with his distinctive clarity and grace, examining twenty-three of Hopper's most important works. He cites aesthetic reasons for Hopper's continuing ability to deeply move people in an America that has grown considerably more complex both politically and socially since mid-century.
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Mark Strand was born in Summerside, Prince Edward Island, Canada, and was raised and educated in the United States. He has written nine books of poems, which have brought him many honors and grants, including a MacArthur Fellowship and, forBlizzard of One, the 1999 Pulitzer Prize. he was chosen as Poet Laureate of the United States in 1990. He is the author of a book of stories,Mr. and Mrs. Baby, several volumes of translations (including works by Rafael Alberti and Carlos Drummond de Andrade, among others), the editor of a number of anthologies, and the author of two monographs on contempory artists. He teaches in the Committee on Social Thought at the University of Chicago.
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