Michael Brophy has painted the Pacific Northwest landscape for over two decades, from sumptuously rendered panoramas of clearcuts and slag heaps to comic-book-scaled noir tableaus of the characters who reshaped the region 150 years ago. This large-scale monograph brings 15 of his most historically expansive paintings to date together with writings on the artistic and cultural history of the Northwest landscape by essayist Jonathan Raban and historian William L. Lang. The influences on Brophy's painting stretch from Goya and Velasquez to Robert Colescott and Georg Baselitz. He has riffed on everything from obscure Wobbly songs to Chinook jargon dictionaries to the writings of Stewart Holbrook. But Here There Nowhere marks a bold new direction in Brophy's work. More sweeping in scope and minimalist in style, the paintings portray what he calls the Big Empty, the dramatic, vacant spaces of the Northwest's eastern deserts and western coast but with an eye toward the coming endgame of Manifest Destiny. Raban's essay, Battleground of the Eye, traces two centuries of artistic conflict between the verdant, people-free Northwest most painters chose to portray vs. the fully populated and exploited landscape that actually existed. Lang's essay, An Insatiable Hunger: The Consuming Myth of the Northwest, probes the changing mythology of Pacific Northwest landscape as it has progressed from an apparently infinite resource for extractive industries to a playground for an expanding consumer class. Designer John Laursen has translated the sweeping power of Brophy's work to the scale of a 12-by-12-inch book with the 200-line reproductions imaged direct to plate and printed by Portland's award-winningMillcross Litho.
"synopsis" may belong to another edition of this title.
"A painter of anti-heroic subject matter on a heroic scale, wittily and effectively chronicling the fate of our environment."
"Brophy paints ruin as if it were eternal, as if there were nothing to recover, as if beauty persists, generous and spacious, even when the landscape of our longing does not." -- Charles D'Ambrosio
"About this title" may belong to another edition of this title.
Seller: Michael Knight, Bookseller, Forest Grove, OR, U.S.A.
paperback. Condition: Good. Paperback. Ex-library with usual markings. Text clean and binding solid. Ships from a smoke-free home. Seller Inventory # mon0000003697
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 6048115
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 6048115-n
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Michael Brophy has painted the Pacific Northwest landscape for over two decades, from sumptuously rendered panoramas of clearcuts and slag heaps to comic-book-scaled noir tableaus of the characters who reshaped the region 150 years ago. This large-scale monograph brings 15 of his most historically expansive paintings to date together with writings on the artistic and cultural history of the Northwest landscape by essayist Jonathan Raban and historian William L. Lang. The influences on Brophy's painting stretch from Goya and Velasquez to Robert Colescott and Georg Baselitz. He has riffed on everything from obscure Wobbly songs to Chinook jargon dictionaries to the writings of Stewart Holbrook. But Here There Nowhere marks a bold new direction in Brophy's work. More sweeping in scope and minimalist in style, the paintings portray what he calls the Big Empty, the dramatic, vacant spaces of the Northwest's eastern deserts and western coast but with an eye toward the coming endgame of Manifest Destiny. Raban's essay, Battleground of the Eye, traces two centuries of artistic conflict between the verdant, people-free Northwest most painters chose to portray vs. the fully populated and exploited landscape that actually existed. Lang's essay, An Insatiable Hunger: The Consuming Myth of the Northwest, probes the changing mythology of Pacific Northwest landscape as it has progressed from an apparently infinite resource for extractive industries to a playground for an expanding consumer class. Designer John Laursen has translated the sweeping power of Brophy's work to the scale of a 12-by-12-inch book with the 200-line reproductions imaged direct to plate and printed by Portland's award-winningMillcross Litho. Michael Brophy has painted the Pacific Northwest landscape for over two decades, from sumptuously rendered panoramas of clearcuts and slag heaps to comic-book-scaled noir tableaus of the characters who reshaped the region 150 years ago. This large-scale monograph brings 15 of his most historically expansive paintings to date together with writings on the artistic and cultural history of the Northwest landscape by essayist Jonathan Raban and historian William L. Lang. The influences on Brophy's painting stretch from Goya and Velasquez to Robert Colescott and Georg Baselitz. He has riffed on everything from obscure Wobbly songs to Chinook jargon dictionaries to the writings of Stewart Holbrook. But Here There Nowhere marks a bold new direction in Brophy's work. More sweeping in scope and minimalist in style, the paintings portray what he calls the "Big Empty," the dramatic, vacant spaces of the Northwest's eastern deserts and western coast but with an eye toward the coming endgame of Manifest Destiny. Raban's essay, Battleground of the Eye, traces two centuries of artistic conflict between the verdant, people-free Northwest most painters chose to portray vs. the fully populated and exploited landscape that actually existed. Lang's essay, An Insatiable Hunger: The Consuming Myth of the Northwest, probes the changing mythology of Pacific Northwest landscape as it has progressed from an apparently infinite resource for extractive industries to a playground for an expanding consumer class. Designer John Laursen has translated the sweeping power of Brophy's work to the scale of a 12-by-12-inch book with the 200-line reproductions imaged direct to plate and printed by Portland's award-winningMillcross Litho. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780870712951
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New. Seller Inventory # 9780870712951
Seller: Daedalus Books, Portland, OR, U.S.A.
Paperback. Condition: Very Good. Signed by Michael Brophy to former on first blank page. Clean and solid. ; Color Illustrations; 11.7 X 11.5 X 0.3 inches; 49 pages. Seller Inventory # 290288
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softbound. Condition: VG. Dark green glossy wraps. 49 pp., 20 color plates. Includes large color plates of the 15 paintings in this exhibition. A beautiful catalogue with two essays. Contents as follows: Battleground of the eye / Jonathan Raban -- Here, there, nowhere / Michael Brophy -- Insatiable hunger / William L. Lang. Seller Inventory # 106022
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Seller Inventory # V9780870712951
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 49 pages. 11.25x11.50x0.25 inches. In Stock. Seller Inventory # x-0870712950
Quantity: 1 available
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. Seller Inventory # V9780870712951