Items related to Lygia Clark: The Abandonment of Art, 1948-1988
Synopsis
Published in conjunction with a major monographic retrospective of the work of Brazilian painter, sculptor and performance artist Lygia Clark, this publication presents a linear and progressive survey of the artist’s groundbreaking practice. Having trained with modern masters from the late 1940s to mid-1950s, Clark was at the forefront of Constructivist and Neo-Concretist movements in Brazil and fostered the active participation of the spectator through her works. Examining Clark’s output from her early abstract compositions to the ‘biological architectures’ and ‘relational objects’ she created late in her career, this is the most comprehensive volume on the artist available in English. Three sections based on key phases throughout her career – Abstraction, Neo-Concretism and The Abandonment of Art – examine these critical moments in Clark’s production, anchor significant concepts or constellations of works that mark a definitive step in her work, and shed light on groundbreaking sets of circumstances in her life as an artist. Each section is accompanied by a selection of works by other artists that provide context for understanding the circumstances that shaped her artistic investigations, as well works by a younger generation of Brazilian artists that reflect Clark’s own landmark influence. Featuring a significant selection of previously unpublished archival texts of Clark’s personal writings, it is a vital source of primary documentation for twentieth-century art history scholarship.
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About the Author
Cornelia Butler is Chief Curator at the Hammer Museum in Los Angeles.
Luis Perez-Oramas is the Estrellita Brodsky Curator of Latin American Art for the Department of Drawings and Prints at The Museum of Modern Art.
Sergio Bessa is the director of curatorial and education programs at the Bronx Museum, and a teacher of Museum Education at Columbia University.
Eleonora Fabiao is a performer/performance theorist and Associate Professor at the Federal University of Rio de Janeiro.
Briony Fer is a British art historian, curator and Professor of History of Art at University College London.
Geaninne Gutiérrez-Guimarães has curated for the Museum of Modern Art and the Bertha and Karl Leubsdorf Art Gallery.
Andre Lepecki is Associate Professor at the Department of Performance Studies at Tisch School of the Arts at New York University. He is a writer and curator working mainly on performance studies, choreography and dramaturgy.
Zeuler Lima is an architect and associate professor of history, theory and design at the School of Design and Visual Arts at Washington University in St. Louis.
From the Back Cover
Published in conjunction with a major monographic retrospective of the work of Brazilian painter, sculptor and performance artist Lygia Clark, this publication presents a linear and progressive survey of the artists groundbreaking practice. Having trained with modern masters from the late 1940s to mid-1950s, Clark was at the forefront of Constructivist and Neo-Concretist movements in Brazil and fostered the active participation of the spectator through her works. Examining Clarks output from her early abstract compositions to the biological architectures and relational objects she created late in her career, this is the most comprehensive volume on the artist available in English. Three sections based on key phases throughout her career Abstraction, Neo-Concretism and The Abandonment of Art examine these critical moments in Clarks production, anchor significant concepts or constellations of works that mark a definitive step in her work, and shed light on groundbreaking sets of circumstances in her life as an artist. Each section is accompanied by a selection of works by other artists that provide context for understanding the circumstances that shaped her artistic investigations, as well works by a younger generation of Brazilian artists that reflect Clarks own landmark influence. Featuring a significant selection of previously unpublished archival texts of Clarks personal writings, it is a vital source of primary documentation for twentieth-century art history scholarship.
"About this title" may belong to another edition of this title.
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Lygia Clark: The Abandonment of Art 1948-1988
Published by
The Museum of Modern Art, 2014
ISBN 10: 0870708902
ISBN 13: 9780870708909
Used
Hardcover
Seller: ANARTIST, New York, NY, U.S.A.
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Hardcover with dustjacket, 356 pages, very good condition; light rubbing to dj and a few page edges; no internal marks. Foreign shipping may be extra. Seller Inventory # LyClTh60
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Stock Image
Lygia Clark: The Abandonment of Art
Published by
The Museum of Modern Art, New Yo, 2014
ISBN 10: 0870708902
ISBN 13: 9780870708909
Used
Hardcover
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Seller rating 5 out of 5 stars
hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Seller Inventory # M0870708902Z3
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