Since the 1960s, a number of artists have challenged the image of the lonely artist by embarking on long term collaborations that dramatically altered the terms of artistic identity. In this book, Green offers a sustained critical examination of collaboration in international contemporary art.
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"This is a clearly argued, original, and highly illuminating book that provides a genuinely new way of looking at contemporary art 'on the cusp, ' as the author puts it, between modernism and postmodernism. The decision to focus on the notion of collaboration has been used to open up a series of fascinating case studies associated with specific collaborative enterprises." --Stephen Bann, University of Bristol
This is a clearly argued, original, and highly illuminating book that provides a genuinely new way of looking at contemporary art on the cusp, as the author puts it, between modernism and postmodernism. The decision to focus on the notion of collaboration has been used to open up a series of fascinating case studies associated with specific collaborative enterprises. Stephen Bann, University of Bristol"
As one of the artists Green discusses, I thought Yes, this is exactly how it happened. Readers will be inspired to know more about each of the collaborative artists included in this exceptional book. Marina Abramovic
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"As one of the artists Green discusses, I thought 'Yes, this is exactly how it happened.' Readers will be inspired to know more about each of the collaborative artists included in this exceptional book." --Marina Abramovic
Charles Green is an artist and a lecturer in the School of Art History and Theory at the University of New South Wales. He is the Australian correspondent for Artforum and author of Peripheral Vision: Contemporary Australian Art 1970 94 (1995)."
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Destination, rates & speedsSeller: Sainsbury's Books Pty. Ltd., Camberwell, VIC, Australia
8vo, 246pp, black and white illustrations. A very good paperback copy. Seller Inventory # 109993
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