This is an essay by Andrea Tarsia. This book accompanies the fourth part in Whitechapel Gallery's series of exhibitions which examine the impact and legacy of performance art from the 1960s to today. In this part, the performative gesture is seen through its reproduction in film and video, as a trace of the artist's presence in the original event. This includes works such as Aernout Mik's "Pulverous" (2003) which observes the scene through the gaze of the supermarket CCTV camera, and Francesco Vezzoli's "Trailer for a Remake of Gore Vidal's Caligula" (2005), a mock five-minute trailer for a non-existent film, which includes celebrities such as Helen Mirren and Courtney Love. This book includes written descriptions of each of the fourteen works featured in the exhibition, as well as biographies of the artists.
"synopsis" may belong to another edition of this title.
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. Volume 4. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:0854881492. Seller Inventory # 8692223
Quantity: 1 available
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 60 pages; very good condition, light rubbing to covers; pages yellowed; no internal marks. Foreign shipping may be extra. Seller Inventory # A_BlWh35