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Synopsis
Avante-garde film is in a constant state of change and redefinition. In this history, A.L. Rees tracks the movement of the avante-garde film between, on the one hand, the cinema, and, on the other hand, modern art (with its postmodern coda). He also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse. This history of avante-garde film and video ranges from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s.
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Review
.".".a handy guide to both the avant-garde and the thickets of modernism from which the cinema avant-garde grew" Choice"
Book Description
Introduces experimental film and video and offers a guide to avant-garde film and new media arts. Situates avant-garde film between the cinema and the gallery with links to sonic and visual arts.
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- PublisherBFI Publishing
- Publication date1999
- ISBN 10 0851706819
- ISBN 13 9780851706818
- BindingPaperback
- LanguageEnglish
- Number of pages160
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A History of Experimental Film and Video
Published by
Bloomsbury Publishing PLC, United Kingdom, 1999
ISBN 10: 0851706819
ISBN 13: 9780851706818
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Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
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Paperback. Condition: Very Good. Avante-garde film is in a constant state of change and redefinition. In this history, A.L. Rees tracks the movement of the avante-garde film between, on the one hand, the cinema, and, on the other hand, modern art (with its postmodern coda). He also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse. This history of avante-garde film and video ranges from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR003213759
Quantity: 1 available