Camera-Cut-Composition: A Learning Model is a film rhetoric based on the uniquely cognitive nature of motion pictures. It is designed for filmmaking and film studies programs. A historical survey of breakthrough technical advances and artistic triumphs is combined with an analysis of the filmmaking process to show the constructive perceptual unity surrounding the making and interpretation of motion pictures.
According to author Aaron Sultanik, the viewer's response to a film derives from three visually ascertained, dramatically realized cognitive elements: (1) the multiple points of view of a camera's placement, angle, and mobility; (2) the dynamic spatiotemporal assemblage of a film's editing; (3) and the final meaning of a film through the story's pictorial stylization. Sultanik offers instructive analogies to classic texts in rhetoric, visual perception, and film criticism to define a movie's distinct aesthetic properties and their perceptual-cognitive interdependence.
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Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0845348523I4N00
Seller: La bataille des livres, Pradinas, France
Condition: Bon. Camera-Cut-Composition: A Learning Model | Aaron Sultanik | Cornwall Books, 1995. In-8° cartonné, 158 p. Plats de couverture propres. Dos solide. Intérieur frais sans soulignage ou annotation. Exemplaire de bibliothèque : petit code barre en pied de 1re de couv., cotation au dos, rares et discrets petits tampons à l'intérieur de l'ouvrage. Bon état général pour cet ouvrage [BB16+] Pour les expéditions internationales, nous consulter au préalable pour l ajustement des frais de port qui seront peut-être revus à la baisse/ For international shipments, please contact us in advance to adjust shipping costs. |. Seller Inventory # CU-ZJ0T-EJNW
Seller: Ven y empieza, Puerto Lumbreras, MU, Spain
Condition: Muy Bueno. Seller Inventory # 468