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Synopsis
This work examines the development of representations of selfhood in opera in the modern period. It shows how notions of subjectivity current in various theories of modernism apply to operas, especially those which were directly or indirectly influenced by Wagner. These analyses reveal that operas may employ notions of subjectivity in various ways: as embedded in a religious context, as social critique, or as a critique of individualism.
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OPERATIC SUBJECTS THE EVOLUTION OF SELF IN MODERN OPERA
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FAIRLEIGH DICKENSON UNIVERSITY PRESS / ASSOCIATED UNIVERSITY PRESSES, CRANBURY N.J, 2000
ISBN 10: 0838638589
ISBN 13: 9780838638583
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Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. N/A (illustrator). 1st Edition. SOILD CLEAN BRIGHT AND UNMARKED BOUND IN BLACK WITH PERFECT GOLD LETTERING A LOOK AT OPERA AND ITS CHANGING MEANINGS OVER TIME AND A CASE FOR CHANGE AND INDIVIDUALITY IN OPERA A LOOK AT SELECTED OPERAS AND HOW THEY ARE VIEWED IN MODERN TIMES A RARE AND INTERESTING TITLE FOR OPERA LOVERS JACKET IS BRIGHT AND COMPLETE WITH AREAS OF SHELFWARE. Seller Inventory # 010426
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Operatic Subjects: The Evolution of Self in Modern Opera
Published by
Fairleigh Dickinson Univ Pr, 2000
ISBN 10: 0838638589
ISBN 13: 9780838638583
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Hardcover
Seller: Revaluation Books, Exeter, United Kingdom
Seller rating 5 out of 5 stars
Hardcover. Condition: Brand New. 227 pages. 9.75x6.25x0.75 inches. In Stock. Seller Inventory # zk0838638589
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