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Synopsis
Rimsky-Korsakov wrote this book for his harmony students at the Imperial Chapel in St. Petersburg because of his dissatisfaction with other harmony methods of the time. His methodology in this book favors the establishment of a comprehensive foundation in tonal harmony (making it ideal as a pedagogic tool), over an exhaustive analysis of harmonic tendencies in Western music. This edition of the Practical Manual of Harmony, re-issued more than one hundred years after its first printing, preserves the original content of the 1885 edition, yet adopts a fresh layout and design to better enhance its organization. The book was a success in music programs at the end of the nineteenth century. Its content will produce equal success in the music programs of today and beyond. Content text: Section 1: Preliminary Notions Chord of the Seventh Natural and Altered Modes (Primary and Secondary Chords) Natural and Altered Modes (Primary and Secondary Chords) Relationship of Triads Movement of Voices Doublings Close and Open Harmony Melodic Position of Triads Harmonic and Melodic Connection of Triads Forbidden Progression and Steps Certain Exceptions in the Rules of Voice Leading Section 2: Harmonization of Chords within a Single Tonality Consonant Combinations Consonant Combinations Consonant Combinations Consonant Combinations Consonant Combinations Consonant Combinations Simple Complete Cadences: Authentic and Plagal Compound Cadences with the Progression of the Subdominant and Dominant Compound Cadence with the Six-four Chord on the I Degree Passing Six-four Chord Semi-Cadence (Harmonic Phrase) Leaps of a Fourth or Fifth in the Melody and Middle Voices Leaps of a Third in the Melody Leaps of a Third in the Bass The Sixth Chord of the Diminshed Triad on the VII Degree The Root-position Triad and the Sixth Chord on the II Degree The Root-position Triad on the VI Degree The Root-position Triad on the VI Degree The Root-position Triad on the III Degree in Major The Root-posit...
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Practical Manual of Harmony
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Practical Manual Of Harmony
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Practical Manual of Harmony
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Practical Manual of Harmony
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Practical Manual of Harmony
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Practical Manual of Harmony
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Practical Manual of Harmony
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Condition: Very Good. 8vo paperback with sepia halftone portrait of Rimsky-Korsakov. Solid spine, pages clean and tight with no foxing, stains, and writing. Seller Inventory # 152572
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Practical Manual of Harmony, Translated from the 12th Russian Edition By Joseph Achron
Published by
Carl Fischer, New York, 2005
ISBN 10: 082585699X
ISBN 13: 9780825856990
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Practical Manual Of Harmony
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RIMSKY KORSAKOV N. - Practical Manual of Harmony (Hopkins)
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Carl Fischer, 2005
ISBN 10: 082585699X
ISBN 13: 9780825856990
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paperback. Condition: New. Rimsky-Korsakov wrote this book for his harmony students at the Imperial Chapel in St. Petersburg because of his dissatisfaction with other harmony methods of the time. His methodology in this book favors the establishment of a comprehensive foundation in tonal harmony (making it ideal as a pedagogic tool), over an exhaustive analysis of harmonic tendencies in Western music. This edition of the Practical Manual of Harmony, re-issued more than one hundred years after its first printing, preserves the original content of the 1885 edition, yet adopts a fresh layout and design to better enhance its organization. The book was a success in music programs at the end of the nineteenth century. Its content will produce equal success in the music programs of today and beyond. Content text: Section 1: Preliminary Notions Chord of the Seventh Natural and Altered Modes (Primary and Secondary Chords) Natural and Altered Modes (Primary and Secondary Chords) Relationship of Triads Movement of Voices Doublings Close and Open Harmony Melodic Position of Triads Harmonic and Melodic Connection of Triads Forbidden Progression and Steps Certain Exceptions in the Rules of Voice Leading Section 2: Harmonization of Chords within a Single Tonality Consonant Combinations Consonant Combinations Consonant Combinations Consonant Combinations Consonant Combinations Consonant Combinations Simple Complete Cadences: Authentic and Plagal Compound Cadences with the Progression of the Subdominant and Dominant Compound Cadence with the Six-four Chord on the I Degree Passing Six-four Chord Semi-Cadence (Harmonic Phrase) Leaps of a Fourth or Fifth in the Melody and Middle Voices Leaps of a Third in the Melody Leaps of a Third in the Bass The Sixth Chord of the Diminshed Triad on the VII Degree The Root-position Triad and the Sixth Chord on the II Degree The Root-position Triad on the VI Degree The Root-position Triad on the VI Degree The Root-position Triad on the III Degree in Major The Root-posit. 17 X 23 Cm. Lingua: english. Seller Inventory # L842