Widely recognized as one of the most significant writers America has produced, Toni Morrison has consistently confounded critics. As she says herself, she seeks to avoid being «like Joyce, Hardy, and Faulkner.» In this work, Rice explores the ways Morrison is like and unlike writers such as Faulkner. He uncovers a complex tension at the core of her work that at once connects her to and separates her from the American tradition.
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The Author: Herbert William Rice is an associate professor of English at Shorter College in Rome, Georgia. He received his Ph.D. in English from the University of Georgia. He has published numerous scholarly articles on writers such as Jean Toomer and Toni Morrison. He also has published poetry and articles on the teaching of writing.
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