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Synopsis
Long celebrated as a great aesthetic idealist and champion of the imagination, Coleridge is now beginning to be understood as a literary critic with many other dimensions, with exciting and far-reaching insights into language, and with detailed notions about the psychological, historical, and linguistic demands of the literary experience.
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About the Author
TIMOTHY CORRIGAN is a professor of cinema studies, English, and history of art at the University of Pennsylvania. Besides a range of essays on Hazlitt, Keats, and De Quincey, his books include New German Film: The Displaced Image, The Films of Werner Herzog: Between Mirage and History, Writing About Film, A Cinema Without Walls: Movies and Culture After Vietnam, Film and Literature: An Introduction and Reader, and The Film Experience. His articles have appeared in Philological Quarterly, the Journal of the History of Ideas, and numerous film journals. His most recent project, The Essay Film, returns to his earlier work in British romanticism to trace the evolution of the essayistic in contemporary film practices.
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Coleridge, Language and Criticism
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COLERIDGE, LANGUAGE, AND CRITICISM
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Coleridge, Language, and Criticism
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Coleridge, Language and Criticism
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Coleridge, Language, and Criticism
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Coleridge, Language And Criticism
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Condition: Fine. 1st edition. Cloth, dj, F/F. xii+217pp, index, a nice fine copy in a fine dustjacket. Study of Coleridges writings as a literary critic. Covers his criticism of Shakespeare & Greek writers among others. 500 grams. Seller Inventory # 22084
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Coleridge, Language And Criticism
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Condition: Fine. 1st edition. Cloth, dj, F/F. xii+217pp, index, a nice fine copy in a fine dustjacket. New. Study of Coleridges writings as a literary critic. Covers his criticism of Shakespeare and Greek writers among others. 500 grams. Seller Inventory # 22135
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