In the midst of vast cultural and political shifts in the early twentieth century, politicians and cultural observers variously hailed and decried the rise of the "New Negro." This phenomenon was most clearly manifest in the United States through the outpouring of Black arts and letters and social commentary known as the Harlem Renaissance.
"synopsis" may belong to another edition of this title.
"This anthology succeeds in liberating New Negro studies from Harlem and its traditional temporal, gender, and class confines." "Journal of African American History""
"This anthology succeeds in liberating New Negro studies from Harlem and its traditional temporal, gender, and class confines."--Journal of African American History
"This collection of essays registers the polyvalent, internationalist, and coalition-building character of the New Negro movement more comprehensively than any other text to date. Escape from New York is essential reading for those who study and teach black modernism, black internationalism, and the Harlem Renaissance."--Cultural Critique
Davarian L. Baldwin is the Paul E. Raether Distinguished Professor of American Studies at Trinity College. He is the author of Chicago's New Negroes: Modernity, the Great Migration, and Black Urban Life.
"About this title" may belong to another edition of this title.