An exploration of technology’s role in architecture and humanity’s understanding of nature.
In Mechanics and Meaning in Architecture, Lance LaVine shows that in architecture, as practiced and taught today, the technological aspect of the profession—how weight is distributed, how heat flow is regulated, and how light is permitted to enter—has been ceded to engineers and other technical specialists. And in doing so, he argues, architects have lost sight of one of architecture’s most important purposes, that of providing a literal and figurative window onto the world.
As a technology of habitation, architecture should give people both a practical and a metaphorical understanding of their relationship with nature. For LaVine, this knowledge emanates from a sensual understanding of the natural world as a “felt force.” At its most basic level, architecture demands an understanding of and response to the natural forces of gravity, climate, and sunlight. At the center of Mechanics and Meaning in Architecture are case studies of four very different houses: a Finnish log farmhouse from the nineteenth century; Charles Moore’s house in Orinda, California; Tadao Ando’s Wall House in Japan; and Le Corbusier’s Villa Savoye near Paris. Through his imaginative readings of structures, LaVine highlights how the architects involved have used the oldest and most fundamental architectural technologies-walls, floors, ceilings, columns, beams, and windows-in ways that offer creative responses to the natural world and humanity’s place in it.Clearly, architects are comfortable with the practical and aesthetic components of their profession. With this book, Lance LaVine encourages them also to understand what makes their use of technology unique and essential, and to reclaim the natural world for meaningful interpretation in their design of buildings."synopsis" may belong to another edition of this title.
Lance LaVine is professor of architecture and landscape architecture at the University of Minnesota.
"About this title" may belong to another edition of this title.
Seller: HPB-Emerald, Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_486494818
Seller: Your Online Bookstore, Houston, TX, U.S.A.
paperback. Condition: Fair. Seller Inventory # 0816634777-4-35371913
Seller: MLC Books, Northfield, MN, U.S.A.
Paperback. Condition: Near Fine. No Jacket. First Edition. Lightly rubbed. Size: 8vo - over 7¾" - 9¾" tall. Seller Inventory # C150379
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Trade Paperback. Condition: Used - Very Good. In Mechanics and Meaning in Architecture, Lance LaVine shows that in architecture, as practiced and taught today, the technological aspect of the profession -- how weight is distributed, how heat flow is regulated, and how light is permitted to enter -- has been ceded to engineers and other technical specialists. And in doing so, he argues, architects have lost sight of one of architecture's most important purposes, that of providing a literal and figurative window onto the world. As a technology of habitation, architecture should give people both a practical and a metaphorical understanding of their relationship with nature. For LaVine, this knowledge emanates from a sensual understanding of the natural world as a 'felt force'. At its most basic level, architecture demands an understanding of and response to the natural forces of gravity, climate, and sunlight. At the center of Mechanics and Meaning in Architecture are case studies of four very different houses: a Finnish log farmhouse from the nineteenth century; Charles Moore's house in Orinda, California; Tadao Ando's Wall House in Japan; and Le Corbusier's Villa Savoye near Paris. Through his imaginative readings of structures, LaVine highlights how the architects involved have used the oldest and most fundamental architectural technologies -- walls, floors, ceilings, columns, beams, and windows -- in ways that offer creative responses to the natural world and humanity's place in it. Clearly, architects are comfortable with the practical and aesthetic components of their profession. With this book, Lance LaVine encourages them also to understand what makes their use of technology unique and essential, and to reclaim the naturalworld for meaningful interpretation in their design of buildings. Open copy with mild wear, clean pages with tight binding. Seller Inventory # 332502
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New. Seller Inventory # 9780816634774
Seller: Barksdale Books, Almere, Netherlands
Softcover. Condition: Good. Seller Inventory # 277606
Quantity: 1 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 210059
Seller: Phatpocket Limited, Waltham Abbey, HERTS, United Kingdom
Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-M-016-02463
Quantity: 1 available
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Num Pages: 207 pages, illustrations. BIC Classification: AMA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 150 x 12. Weight in Grams: 315. . 2001. First Edition. paperback. . . . . Seller Inventory # V9780816634774
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 210059-n