Photographs of the Holocaust bear a double burden: to act as history lessons for future generations so we will "never forget" and to provide a means of mourning. In this text, Liss examines the inherent difficulties and productive possibilities of using photographs to bear witness, initiating a critical dialogue about the ways the post-Auschwitz generation has employed these documents to represent Holocaust memory and history.
"synopsis" may belong to another edition of this title.
Liss is the contemporary art historian and cultural theorist.
"About this title" may belong to another edition of this title.
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0816630607I3N00
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Paperback. Condition: Good. Seller Inventory # mon0004046120
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Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. Seller Inventory # M0816630607Z3
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Soft cover. Condition: Very Good. 1st Edition. Stiff pictorial wraps. Scattered interior highlighting, otherwise minor handling wear. 1st ptg. Size: 4to - over 9¾" - 12" tall. Book. Seller Inventory # 056008
Seller: Apeiron Book Service, Sant'Oreste, RM, Italy
brossura. Condition: nuovo. New. Focusing on a wide range of photographic displays and museum installations as well as such films as Shoah and Schindler's List, Liss questions the role of photography as social practice. She critically analyzes the transformations that documentary and more intimate photographs undergo as they are mediated through contemporary exhibition techniques, both at the institutional level of the United States Holocaust Memorial Museum in Washington, D.C., and in the hands of a group of contemporary artists and photographers including Art Spiegelman, Judy Chicago and Donald Woodman, Christian Boltanski, Suzanne Hellmuth and Jock Reynolds, and Anselm Kiefer. Documentary photographic approaches to historical and contemporary suffering are facing a serious crisis in postmodern analysis. As Andrea Liss uncompromisingly shows, this crisis is specially acute in the contemporary artistic and museological remembrance of the Holocaust. Motivated by an effort to rename and rehumanize the victims, s~ving them from the obscene images taken by the perpetrators and disseminated in postwar representations, Trespassing through Shadows is inspired by a feminist ethics of care, empathy, and respect. A moving, concerned, and generous book., Ill. bn: 20+, Ill. colori: 12+. 152pp. Seller Inventory # 4084-BB04