In this classic of critical thought, Deleuze and Guattari challenge conventional interpretations of Kafka’s work. Instead of exploring preexisting categories or literary genres, they propose a concept of “minor literature”―the use of a major language that subverts it from within. Writing as a Jew in Prague, they contend, Kafka made German “take flight on a line of escape” and joyfully became a stranger within it. His work therefore serves as a model for understanding all critical language that must operate within the confines of the dominant language and culture.
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In Kafka Deleuze and Guattari free their subject from his (mis)intrepreters. In contrast to traditional readings that see in Kafka's work a case of Oedipalized neurosis or a flight into transcendence, guilt, and subjectivity, Deleuze and Guattari make a case for Kafka as a man of joy, a promoter of radical politics who resisted at every turn submission to frozen hierarchies.
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