Items related to The Trail of the Serpent (Modern Library Classics)
Synopsis
Mary Elizabeth Braddon (1837-1915), Victorian England's bestselling woman writer, blends Dickensian humor with chilling suspense in this "exuberantly campy" (Kirkus Reviews) mystery. The novel features Jabez North, a manipulative orphan who becomes a ruthless killer; Valerie de Cevennes, a stunning heiress who falls into North's diabolical trap; and Mr. Peters, a mute detective who communicates his brilliant reasoning through sign language.
This edition includes a critical Afterword and endnotes by Victorian scholar Dr. Chris Willis."synopsis" may belong to another edition of this title.
About the Author
Sarah Waters is the award-winning author of Tipping the Velvet, Affinity, and Fingersmith.
From the Back Cover
Mary Elizabeth Braddon (1837-1915), Victorian England's bestselling woman writer, blends Dickensian humor with chilling suspense in this "exuberantly campy" ("Kirkus Reviews) mystery. The novel features Jabez North, a manipulative orphan who becomes a ruthless killer; Valerie de Cevennes, a stunning heiress who falls into North's diabolical trap; and Mr. Peters, a mute detective who communicates his brilliant reasoning through sign language.
This edition includes a critical Afterword and endnotes by Victorian scholar Dr. Chris Willis.
Excerpt. © Reprinted by permission. All rights reserved.
The Trail of the Serpent
By Mary Braddon, Chris Willis, Sarah WatersRandom House Publishing Group
Copyright © 2003 Mary Braddon
All rights reserved.
ISBN: 978-0-8129-6678-7All rights reserved.
CHAPTER I
THE GOOD SCHOOLMASTER
I don’t suppose it rained harder in the good town of Slopperton-on-the-Sloshy than it rained anywhere else. But it did rain. There was scarcely an umbrella in Slopperton that could hold its own against the rain that came pouring down that November afternoon, between the hours of four and five. Every gutter in High Street, Slopperton; every gutter in Broad Street (which was of course the narrowest street); in New Street (which by the same rule was the oldest street); in East Street, West Street, Blue Dragon Street, and Windmill Street; every gutter in every one of these thoroughfares was a little Niagara, with a maelstrom at the corner, down which such small craft as bits of orange-peel, old boots and shoes, scraps of paper, and fragments of rag were absorbed—as better ships have been in the great northern whirlpool. That dingy stream, the Sloshy, was swollen into a kind of dirty Mississippi, and the graceful coal-barges which adorned its bosom were stripped of the clothes-lines and fluttering linen which usually were to be seen on their decks. A bad, determined, black-minded November day. A day on which the fog shaped itself into a demon, and lurked behind men’s shoulders, whispering into their ears, “Cut your throat!—you know you’ve got a razor, and can’t shave with it, because you’ve been drinking and your hand shakes; one little gash under the left ear, and the business is done. It’s the best thing you can do. It is, really.” A day on which the rain, the monotonous ceaseless persevering rain, has a voice as it comes down, and says, “Don’t you think you could go melancholy mad? Look at me; be good enough to watch me for a couple of hours or so, and think, while you watch me, of the girl who jilted you ten years ago; and of what a much better man you would be to-day if she had only loved you truly. Oh, I think, if you’ll only be so good as watch me, you might really contrive to go mad.” Then again the wind. What does the wind say, as it comes cutting through the dark passage, and stabbing you, like a coward as it is, in the back, just between the shoulders—what does it say? Why, it whistles in your ear a reminder of the little bottle of laudanum1 you’ve got upstairs, which you had for your toothache last week, and never used. A foggy wet windy November day. A bad day—a dangerous day. Keep us from bad thoughts to-day, and keep us out of the Police Reports2 next week. Give us a glass of something hot and strong, and a bit of something nice for supper, and bear with us a little this day; for if the strings of yonder piano—an instrument fashioned on mechanical principles by mortal hands—if they are depressed and slackened by the influence of damp and fog, how do we know that there may not be some string in this more critical instrument, the human mind, not made on mechanical principles or by mortal hands, a little out of order on this bad November day?
But of course bad influences can only come to bad men; and of course he must be a very bad man whose spirits go up and down with every fluctuation of the weather-glass. Virtuous people no doubt are virtuous always; and by no chance, or change, or trial, or temptation, can they ever become other than virtuous. Therefore why should a wet day or a dark day depress them? No; they look out of the windows at houseless men and women and fatherless and motherless children wet through to the skin, and thank Heaven that they are not as other men:3 like good Christians, punctual ratepayers, and unflinching church-goers as they are.
Thus it was with Mr. Jabez North, assistant and usher4 at the academy of Dr. Tappenden. He was not in anywise affected by fog, rain, or wind. There was a fire at one end of the schoolroom, and Allecompain Major5 had been fined sixpence, and condemned to a page of Latin grammar, for surreptitiously warming his worst chilblain at the bars thereof. But Jabez North did not want to go near the fire, though in his official capacity he might have done so; ay, even might have warmed his hands in moderation. He was not cold, or if he was cold, he didn’t mind being cold. He was sitting at his desk, mending pens and hearing six red-nosed boys conjugate the verb Amare, “to love”—while the aforesaid boys were giving practical illustrations of the active verb “to shiver,”—and the passive ditto, “to be puzzled.” He was not only a good young man, this Jabez North (and he must have been a very good young man, for his goodness was in almost every mouth in Slopperton—indeed, he was looked upon by many excellent old ladies as an incarnation of the adjective “pious”)—but he was rather a handsome young man also. He had delicate features, a pale fair complexion, and, as young women said, very beautiful blue eyes; only it was unfortunate that these eyes, being, according to report, such a very beautiful colour, had a shifting way with them, and never looked at you long enough for you to find out their exact hue, or their exact expression either. He had also what was called a very fine head of fair curly hair, and what some people considered a very fine head—though it was a pity it shelved off on either side in the locality where prejudiced people place the organ of conscientiousness. A professor of phrenology, lecturing at Slopperton, had declared Jabez North to be singularly wanting in that small virtue; and had even gone so far as to hint that he had never met with a parallel case of deficiency in the entire moral region, except in the skull of a very distinguished criminal, who invited a friend to dinner and murdered him on the kitchen stairs while the first course was being dished. But of course the Sloppertonians pronounced this professor to be an impostor, and his art a piece of charlatanism, as they were only too happy to pronounce any professor or any art that came in their way.
Slopperton believed in Jabez North. Partly because Slopperton had in a manner created, clothed, and fed him, set him on his feet; patted him on his head, and reared him under the shadow of Sloppertonian wings, to be the good and worthy individual he was.
The story was in this wise. Nineteen years before this bad November day, a little baby had been dragged, to all appearance drowned, out of the muddy waters of the Sloshy. Fortunately or unfortunately, as the case may be, he turned out to be less drowned than dirty, and after being subjected to very sharp treatment—such as being held head downwards, and scrubbed raw with a jack-towel,7 by the Sloppertonian Humane Society, founded by a very excellent gentleman, somewhat renowned for maltreating his wife and turning his eldest son out of doors—this helpless infant set up a feeble squall, and evinced other signs of a return to life. He was found in a Slopperton river by a Slopperton bargeman, resuscitated by a Slopperton society, and taken by the Slopperton beadle to the Slopperton workhouse; he therefore belonged to Slopperton. Slopperton found him a species of barnacle rather difficult to shake off. The wisest thing, therefore, for Slopperton to do, was to put the best face on a bad matter, and, out of its abundance, rear this un-welcome little stranger. And truly virtue has its reward; for, from the workhouse brat to the Sunday-school teacher; from the Sunday-school teacher to the scrub at Dr. Tappenden’s academy; from scrub to usher of the fourth form; and from fourth form usher to first assistant, pet toady, and factotum, were so many steps in the ladder of fortune which Jabez mounted, as in seven-leagued boots.
As to his name, Jabez North, it is not to be supposed that when some wretched drab8 (mad with what madness, or wretched to what intensity of wretchedness, who shall guess?) throws her hapless and sickly offspring into the river—it is not, I say, to be supposed that she puts his card-case in his pocket, with his name and address inscribed in neat copper-plate9 upon enamelled cards therein. No, the foundling of Slopperton was called by the board of the workhouse Jabez; first, because Jabez was a scriptural name; secondly, perhaps, because it was an ugly one, and agreed better with the cut of his clothes and the fashion of his appointments than Reginald, Conrad, or Augustus might have done. The gentlemen of the board further bestowed upon him the surname of North because he was found on the north bank of the Sloshy, and because North was an unobtrusive and commonplace cognomen, appropriate to a pauper; like whose impudence it would indeed be to write himself down Montmorency or Fitz-Hardinge.
THE GOOD SCHOOLMASTER
I don’t suppose it rained harder in the good town of Slopperton-on-the-Sloshy than it rained anywhere else. But it did rain. There was scarcely an umbrella in Slopperton that could hold its own against the rain that came pouring down that November afternoon, between the hours of four and five. Every gutter in High Street, Slopperton; every gutter in Broad Street (which was of course the narrowest street); in New Street (which by the same rule was the oldest street); in East Street, West Street, Blue Dragon Street, and Windmill Street; every gutter in every one of these thoroughfares was a little Niagara, with a maelstrom at the corner, down which such small craft as bits of orange-peel, old boots and shoes, scraps of paper, and fragments of rag were absorbed—as better ships have been in the great northern whirlpool. That dingy stream, the Sloshy, was swollen into a kind of dirty Mississippi, and the graceful coal-barges which adorned its bosom were stripped of the clothes-lines and fluttering linen which usually were to be seen on their decks. A bad, determined, black-minded November day. A day on which the fog shaped itself into a demon, and lurked behind men’s shoulders, whispering into their ears, “Cut your throat!—you know you’ve got a razor, and can’t shave with it, because you’ve been drinking and your hand shakes; one little gash under the left ear, and the business is done. It’s the best thing you can do. It is, really.” A day on which the rain, the monotonous ceaseless persevering rain, has a voice as it comes down, and says, “Don’t you think you could go melancholy mad? Look at me; be good enough to watch me for a couple of hours or so, and think, while you watch me, of the girl who jilted you ten years ago; and of what a much better man you would be to-day if she had only loved you truly. Oh, I think, if you’ll only be so good as watch me, you might really contrive to go mad.” Then again the wind. What does the wind say, as it comes cutting through the dark passage, and stabbing you, like a coward as it is, in the back, just between the shoulders—what does it say? Why, it whistles in your ear a reminder of the little bottle of laudanum1 you’ve got upstairs, which you had for your toothache last week, and never used. A foggy wet windy November day. A bad day—a dangerous day. Keep us from bad thoughts to-day, and keep us out of the Police Reports2 next week. Give us a glass of something hot and strong, and a bit of something nice for supper, and bear with us a little this day; for if the strings of yonder piano—an instrument fashioned on mechanical principles by mortal hands—if they are depressed and slackened by the influence of damp and fog, how do we know that there may not be some string in this more critical instrument, the human mind, not made on mechanical principles or by mortal hands, a little out of order on this bad November day?
But of course bad influences can only come to bad men; and of course he must be a very bad man whose spirits go up and down with every fluctuation of the weather-glass. Virtuous people no doubt are virtuous always; and by no chance, or change, or trial, or temptation, can they ever become other than virtuous. Therefore why should a wet day or a dark day depress them? No; they look out of the windows at houseless men and women and fatherless and motherless children wet through to the skin, and thank Heaven that they are not as other men:3 like good Christians, punctual ratepayers, and unflinching church-goers as they are.
Thus it was with Mr. Jabez North, assistant and usher4 at the academy of Dr. Tappenden. He was not in anywise affected by fog, rain, or wind. There was a fire at one end of the schoolroom, and Allecompain Major5 had been fined sixpence, and condemned to a page of Latin grammar, for surreptitiously warming his worst chilblain at the bars thereof. But Jabez North did not want to go near the fire, though in his official capacity he might have done so; ay, even might have warmed his hands in moderation. He was not cold, or if he was cold, he didn’t mind being cold. He was sitting at his desk, mending pens and hearing six red-nosed boys conjugate the verb Amare, “to love”—while the aforesaid boys were giving practical illustrations of the active verb “to shiver,”—and the passive ditto, “to be puzzled.” He was not only a good young man, this Jabez North (and he must have been a very good young man, for his goodness was in almost every mouth in Slopperton—indeed, he was looked upon by many excellent old ladies as an incarnation of the adjective “pious”)—but he was rather a handsome young man also. He had delicate features, a pale fair complexion, and, as young women said, very beautiful blue eyes; only it was unfortunate that these eyes, being, according to report, such a very beautiful colour, had a shifting way with them, and never looked at you long enough for you to find out their exact hue, or their exact expression either. He had also what was called a very fine head of fair curly hair, and what some people considered a very fine head—though it was a pity it shelved off on either side in the locality where prejudiced people place the organ of conscientiousness. A professor of phrenology, lecturing at Slopperton, had declared Jabez North to be singularly wanting in that small virtue; and had even gone so far as to hint that he had never met with a parallel case of deficiency in the entire moral region, except in the skull of a very distinguished criminal, who invited a friend to dinner and murdered him on the kitchen stairs while the first course was being dished. But of course the Sloppertonians pronounced this professor to be an impostor, and his art a piece of charlatanism, as they were only too happy to pronounce any professor or any art that came in their way.
Slopperton believed in Jabez North. Partly because Slopperton had in a manner created, clothed, and fed him, set him on his feet; patted him on his head, and reared him under the shadow of Sloppertonian wings, to be the good and worthy individual he was.
The story was in this wise. Nineteen years before this bad November day, a little baby had been dragged, to all appearance drowned, out of the muddy waters of the Sloshy. Fortunately or unfortunately, as the case may be, he turned out to be less drowned than dirty, and after being subjected to very sharp treatment—such as being held head downwards, and scrubbed raw with a jack-towel,7 by the Sloppertonian Humane Society, founded by a very excellent gentleman, somewhat renowned for maltreating his wife and turning his eldest son out of doors—this helpless infant set up a feeble squall, and evinced other signs of a return to life. He was found in a Slopperton river by a Slopperton bargeman, resuscitated by a Slopperton society, and taken by the Slopperton beadle to the Slopperton workhouse; he therefore belonged to Slopperton. Slopperton found him a species of barnacle rather difficult to shake off. The wisest thing, therefore, for Slopperton to do, was to put the best face on a bad matter, and, out of its abundance, rear this un-welcome little stranger. And truly virtue has its reward; for, from the workhouse brat to the Sunday-school teacher; from the Sunday-school teacher to the scrub at Dr. Tappenden’s academy; from scrub to usher of the fourth form; and from fourth form usher to first assistant, pet toady, and factotum, were so many steps in the ladder of fortune which Jabez mounted, as in seven-leagued boots.
As to his name, Jabez North, it is not to be supposed that when some wretched drab8 (mad with what madness, or wretched to what intensity of wretchedness, who shall guess?) throws her hapless and sickly offspring into the river—it is not, I say, to be supposed that she puts his card-case in his pocket, with his name and address inscribed in neat copper-plate9 upon enamelled cards therein. No, the foundling of Slopperton was called by the board of the workhouse Jabez; first, because Jabez was a scriptural name; secondly, perhaps, because it was an ugly one, and agreed better with the cut of his clothes and the fashion of his appointments than Reginald, Conrad, or Augustus might have done. The gentlemen of the board further bestowed upon him the surname of North because he was found on the north bank of the Sloshy, and because North was an unobtrusive and commonplace cognomen, appropriate to a pauper; like whose impudence it would indeed be to write himself down Montmorency or Fitz-Hardinge.
(Continues...)
Excerpted from The Trail of the Serpent by Mary Braddon, Chris Willis, Sarah Waters. Copyright © 2003 Mary Braddon. Excerpted by permission of Random House Publishing Group.
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Paperback. Condition: Fair. Mary Elizabeth Braddon (1837-1915), Victorian England's bestselling woman writer, blends Dickensian humor with chilling suspense in this exuberantly campy (Kirkus Reviews) mystery. The novel features Jabez North, a manipulative orphan who becomes a ruthless killer; Valerie de Cevennes, a stunning heiress who falls into North's diabolical trap; and Mr. Peters, a mute detective who communicates his brilliant reasoning through sign language. This edition includes a critical Afterword and endnotes by Victorian scholar Dr. Chris Willis. Seller Inventory # 00074688770
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Paperback. Condition: Very Good. Mary Elizabeth Braddon (1837-1915), Victorian England's bestselling woman writer, blends Dickensian humor with chilling suspense in this exuberantly campy (Kirkus Reviews) mystery. The novel features Jabez North, a manipulative orphan who becomes a ruthless killer; Valerie de Cevennes, a stunning heiress who falls into North's diabolical trap; and Mr. Peters, a mute detective who communicates his brilliant reasoning through sign language. This edition includes a critical Afterword and endnotes by Victorian scholar Dr. Chris Willis. Seller Inventory # CIN0812966783VG
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The Trail of the Serpent
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Paperback. Condition: Good. Mary Elizabeth Braddon (1837-1915), Victorian England's bestselling woman writer, blends Dickensian humor with chilling suspense in this exuberantly campy (Kirkus Reviews) mystery. The novel features Jabez North, a manipulative orphan who becomes a ruthless killer; Valerie de Cevennes, a stunning heiress who falls into North's diabolical trap; and Mr. Peters, a mute detective who communicates his brilliant reasoning through sign language. This edition includes a critical Afterword and endnotes by Victorian scholar Dr. Chris Willis. Seller Inventory # CIN0812966783G
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Paperback. Condition: Good. Mary Elizabeth Braddon (1837-1915), Victorian England's bestselling woman writer, blends Dickensian humor with chilling suspense in this exuberantly campy (Kirkus Reviews) mystery. The novel features Jabez North, a manipulative orphan who becomes a ruthless killer; Valerie de Cevennes, a stunning heiress who falls into North's diabolical trap; and Mr. Peters, a mute detective who communicates his brilliant reasoning through sign language. This edition includes a critical Afterword and endnotes by Victorian scholar Dr. Chris Willis. Seller Inventory # CIN0812966783G
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Paperback. Condition: Fair. Mary Elizabeth Braddon (1837-1915), Victorian England's bestselling woman writer, blends Dickensian humor with chilling suspense in this exuberantly campy (Kirkus Reviews) mystery. The novel features Jabez North, a manipulative orphan who becomes a ruthless killer; Valerie de Cevennes, a stunning heiress who falls into North's diabolical trap; and Mr. Peters, a mute detective who communicates his brilliant reasoning through sign language. This edition includes a critical Afterword and endnotes by Victorian scholar Dr. Chris Willis. Seller Inventory # CIN0812966783A
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Paperback. Condition: Very Good. Mary Elizabeth Braddon (1837-1915), Victorian England's bestselling woman writer, blends Dickensian humor with chilling suspense in this exuberantly campy (Kirkus Reviews) mystery. The novel features Jabez North, a manipulative orphan who becomes a ruthless killer; Valerie de Cevennes, a stunning heiress who falls into North's diabolical trap; and Mr. Peters, a mute detective who communicates his brilliant reasoning through sign language. This edition includes a critical Afterword and endnotes by Victorian scholar Dr. Chris Willis. Seller Inventory # CIN0812966783VG