Robert Walser wrote many of his manuscripts in a highly enigmatic, shrunken-down form. These narrow strips of paper (many of them written during his hospitalization in the Waldau sanatorium) covered with tiny ant-like markings only a millimeter or two high, came to light only after the author’s death in 1956. At first considered a secret code, the microscripts were eventually discovered to be a radically miniaturized form of a German script: a whole story could fit on the back of a business card.
Selected from the six-volume German transcriptions from the original microscripts, these 25 short pieces are gathered in this gorgeously illustrated co-publication with the Christine Burgin Gallery. Each microscript is reproduced in full color in its original form: the detached cover of a trashy crime novel, a disappointing letter, a receipt of payment. Sometimes Walser used the pages of small tear-off calendars (but only after cutting them lengthwise and filling up each half with text). Schnapps, rotten husbands, small town life, the radio, pigs (and how none of us can deny being one), jealousy, Van Gogh and marriage proposals are some of Walser’s subjects. These texts take strength from Walser’s motto: “To be small and to stay small.”
"synopsis" may belong to another edition of this title.
"Walser vaulted new heights of expression with miniscule means." "
The use of throwaway scraps and pencil also seems part of a deliberate espousal of the small and modest, an attention to the unnoticed, and the microscripts are, as this edition lets us see, objects of beauty, the pencillings precisely filling their allotted space, the different texts neatly fitted together on the same piece of paper like some kind of intricate insect construction whose purpose is absolutely necessary.... Walser has in recent years regained some of the status he enjoyed in the 1920s. Instead of Kafka and Benjamin, we have Sebald and Lydia Davis championing him. But we still don't know where we stand with him. Are we dealing with pure literature, the vagaries of the everyday, jokes, or empty fancies? The writing is radical and elegant enough to encompass all these possibilities and many more. Is it the stuff of life? Perhaps.
Walser vaulted new heights of expression with minuscule means.
Swiss writer Robert Walser (1878-1956), one of the major European writers of the early twentieth century, worked as a bank clerk, a butler in a castle, and an inventor's assistant before writing as many as seven novels and more than a thousand stories. Forcibly hospitalized in 1933 with a now much disputed diagnosis of schizophrenia, he spent the final twenty-three years of his life in an institution.
"About this title" may belong to another edition of this title.
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Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.2. Seller Inventory # G0811218805I3N00
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Seller: zenosbooks, San Francisco, CA, U.S.A.
hardcover. Condition: Very Good in Dustjacket. Dust Jacket Condition: Very Good. First Edition. New York. 2010. June 2010. New Directions. 1st American Edition. Very Good in Dustjacket. 9780811218801. Bilingual edition, Translated from the German and with an Introduction by Susan Bernofsky. Afterword by Walter Benjamin. 160 pages. hardcover. keywords: Europe Switzerland Literature Translated World Literature. DESCRIPTION - W.G. Sebald called Robert Walser 'a clairvoyant of the small,' and nowhere is the phrase more apt than in his 'microscripts.' Robert Walser wrote many of his manuscripts in a highly enigmatic, shrunken-down form. These narrow strips of paper (many of them written during his hospitalization in the Waldau sanatorium), covered with tiny ant-like markings only a millimeter or two high, came to light only after the author's death in 1956. At first considered a secret code, the microscripts were eventually discovered to be a radically miniaturized form of a German script: a whole story could fit on the back of a business card. Microscripts gathers 40 short pieces - stories, poems, fragments, 'dramolettes' - in this gorgeously illustrated co-publication with the Christine Burgin Gallery. Each microscript is reproduced in full color in its original form: the detached cover of a trashy crime novel, a disappointing telegram, the inside of a soap wrapper. Schnapps, rotten husbands, small-town life, the radio, pigs (and how none of us can deny being one), jealousy, Van Gogh and marriage proposals are some of Walser's subjects. These texts take strength from Walser's motto: 'To be small and to stay small.' inventory #10709. Seller Inventory # z10709
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Seller: Daedalus Books, Portland, OR, U.S.A.
Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Color Plates; 8vo; 159 pages. Seller Inventory # 316075
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Seller: Underground Books, ABAA, Carrollton, GA, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Hardcover. 9" X 6 1/2". 159pp. This beautiful near fine copy presents nicely with unclipped dust jacket wrapped in protective archival sleeve. Very mild shelf wear to covers, corners, and edges of jacket. Bound in green cloth over boards with spine lettered in black. Very gentle bumps to head and tail of spine. Pages are clean and unmarked. Binding is sound. ABOUT THIS BOOK: Robert Walser wrote many of his manuscripts in a highly enigmatic, shrunken-down form. These narrow strips of paper (many of them written during his hospitalization in the Waldau sanatorium) covered with tiny ant-like markings only a millimeter or two high, came to light only after the author's death in 1956. At first considered a secret code, the microscripts were eventually discovered to be a radically miniaturized form of a German script: a whole story could fit on the back of a business card. Selected from the six-volume German transcriptions from the original microscripts, these 25 short pieces are gathered in this gorgeously illustrated co-publication with the Christine Burgin Gallery. Each microscript is reproduced in full color in its original form: the detached cover of a trashy crime novel, a disappointing letter, a receipt of payment. Sometimes Walser used the pages of small tear-off calendars (but only after cutting them lengthwise and filling up each half with text). Schnapps, rotten husbands, small town life, the radio, pigs (and how none of us can deny being one), jealousy, Van Gogh and marriage proposals are some of Walser's subjects. These texts take strength from Walser's motto: "To be small and to stay small." 65 full-color illustrations(Publisher). Seller Inventory # 16585
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Seller: Grendel Books, ABAA/ILAB, Springfield, MA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. Translated from the German and with an introduction by Susan Bernofsky. Afterord by Walter Benjamin. First edition thus. Fine in a near fine dust jacket. Seller Inventory # 104850
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Hardcover. Condition: New. Factory Sealed if issued as such, guaranteed new. Seller Inventory # BK 36111
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Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR003294283
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Seller: Studio Books, Corvallis, OR, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Translated from the German and with an Introduction by Susan Bernofsky. Green hardcover with titles in black and paper facsimile of microscripts laid down on front cover. Illustrated in color and black and white. Interior fine, some light wear to bottom corners of cover. In a fine dust jacket in a mylar protector. Seller Inventory # 091319
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Seller: Dorley House Books, Inc., Hagerstown, MD, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st. 1st printing; afterword by Walter Benjamin; dj in mylar; pictorial boards that match dj; 160 clean, unmarked pages. Seller Inventory # 104775
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