Hardcover. Several marks and scores on dust jacket. Three centimetre tear on front upper leading corner. One centimetre tear on front cover next to spine head. Jacket and hardcover leading corners, edges and spine ends are slightly worn. Pen mark on page block head. Binding is tight, contents are clean and clear throughout. AM
"synopsis" may belong to another edition of this title.
Through analysis of literature, art, and architecture within their cultural contexts, Wilmerding (American Art, Princeton University; and, Curator in the Departments of American Art, Metropolitan Museum of Art, New York) focuses on three turning points in American history: 1800, when America began to find its identity as a republic; 1850, a period
In this provocative book a prominent art historian offers a new approach to the study of American intellectual history. By analyzing masterworks of literature as well as art and architecture within their cultural context, he vividly demonstrates how America expressed itself at various crucial stages in the nineteenth century as it evolved into a nation.
John Wilmerding focuses on three turning points -- around 1800, when America began to find its identity as a republic; 1850, a self-confident period of prosperity and growth; and 1900, a time of anxiety over profound changes in the psychological as well as the physical dimension. The author provides stimulating discussions of the great works of these three periods -- from Thomas Jefferson's Monticello and Charles Willson Peale's Staircase Portrait to Thoreau's Walden and George Caleb Bingham's Fur Traders Descending the Missouri to The Education of Henry Adams and the late paintings of Thomas Eakins and Winslow Homer -- finding common threads and complementary expressions in the images that writers and visual artists alike drew upon to convey the mood and vision of each distinctive era.
A preeminent scholar in the field of American art, Wilmerding brings fresh ideas to the whole range of American creativity, including paintings and sculpture, journals and autobiography, novels and poetry, music and architecture. His close reading of such literary classics as Moby-Dick and Leaves of Grass, juxtaposed with thoughtful discussions of formal and iconographical aspects of such artistic masterpieces as the Washington National Monument and Fitz Hugh Lane's luminous landscapes, provide the reader with a new understanding of recurrent themesin American culture: the expanding geographical scope of the nation, the increasing pace of life and social change in American cities, the growing body of scientific knowledge as a result of exploration and self-examination.
This important book is handsomely illustrated with reproductions in both color and black and white of the significant paintings and other objects discussed in the text, and it is equally enriched by extensive quotations from literary examples the author has selected for analysis.
With the new century upon us, we are moved to reflect not just on the recent past but on the previous century, which brought America to maturity. Compass and Clock enables us to examine that crucial period in our history through its finest works of art, which provide us with clues to our own evolution as a nation and as a people.
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Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. Seller Inventory # S13P-00637
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0810940965I4N00
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0810940965I4N10
Seller: The Maryland Book Bank, Baltimore, MD, U.S.A.
hardcover. Condition: Good. First Edition. Used - Good. Seller Inventory # 4-K-5-0622
Seller: The Maryland Book Bank, Baltimore, MD, U.S.A.
hardcover. Condition: Very Good. First Edition. Used - Very Good. Seller Inventory # 5-N-5-0302
Seller: HPB-Ruby, Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_454879115
Seller: Prairie Archives, Springfield, IL, U.S.A.
Very good in lightly edgeworn, lightly soiled dust jacket. hardbound 1" tear top back jacket. Remainder mark on bottom edge. Illustrated. Seller Inventory # BOOKS016547
Seller: Ultramarine Books, Brooklyn, NY, U.S.A.
Hardcover. Condition: As New. Dust Jacket Condition: As New. First Edition. New York: Harry Abrams, 1999. 256 pages. An overlay of American art on the culture, including literature, poetry, architecture, music and the national vision. First Edition. Cloth. As New/As New. 4to. Language: ENG. Seller Inventory # 000418
Seller: Mystery Cove Book Shop, Hulls Cove, ME, U.S.A.
hardcover. New in dust jacket. Beautiful, unread copy. Illustrated in color and B&W. Seller Inventory # 169924
Seller: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, U.S.A.
Hardcover. Condition: Book fine, Dust jacket fine. Dust Jacket Condition: dj. 1st. Bound in the publisher's original cloth with the spine stamped in silver. Seller Inventory # 9004795