Hardcover. Several marks and scores on dust jacket. Three centimetre tear on front upper leading corner. One centimetre tear on front cover next to spine head. Jacket and hardcover leading corners, edges and spine ends are slightly worn. Pen mark on page block head. Binding is tight, contents are clean and clear throughout. AM
"synopsis" may belong to another edition of this title.
Through analysis of literature, art, and architecture within their cultural contexts, Wilmerding (American Art, Princeton University; and, Curator in the Departments of American Art, Metropolitan Museum of Art, New York) focuses on three turning points in American history: 1800, when America began to find its identity as a republic; 1850, a period
In this provocative book a prominent art historian offers a new approach to the study of American intellectual history. By analyzing masterworks of literature as well as art and architecture within their cultural context, he vividly demonstrates how America expressed itself at various crucial stages in the nineteenth century as it evolved into a nation.
John Wilmerding focuses on three turning points -- around 1800, when America began to find its identity as a republic; 1850, a self-confident period of prosperity and growth; and 1900, a time of anxiety over profound changes in the psychological as well as the physical dimension. The author provides stimulating discussions of the great works of these three periods -- from Thomas Jefferson's Monticello and Charles Willson Peale's Staircase Portrait to Thoreau's Walden and George Caleb Bingham's Fur Traders Descending the Missouri to The Education of Henry Adams and the late paintings of Thomas Eakins and Winslow Homer -- finding common threads and complementary expressions in the images that writers and visual artists alike drew upon to convey the mood and vision of each distinctive era.
A preeminent scholar in the field of American art, Wilmerding brings fresh ideas to the whole range of American creativity, including paintings and sculpture, journals and autobiography, novels and poetry, music and architecture. His close reading of such literary classics as Moby-Dick and Leaves of Grass, juxtaposed with thoughtful discussions of formal and iconographical aspects of such artistic masterpieces as the Washington National Monument and Fitz Hugh Lane's luminous landscapes, provide the reader with a new understanding of recurrent themesin American culture: the expanding geographical scope of the nation, the increasing pace of life and social change in American cities, the growing body of scientific knowledge as a result of exploration and self-examination.
This important book is handsomely illustrated with reproductions in both color and black and white of the significant paintings and other objects discussed in the text, and it is equally enriched by extensive quotations from literary examples the author has selected for analysis.
With the new century upon us, we are moved to reflect not just on the recent past but on the previous century, which brought America to maturity. Compass and Clock enables us to examine that crucial period in our history through its finest works of art, which provide us with clues to our own evolution as a nation and as a people.
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardcover; inscribed by author John Wilmerding; in very good condition with dustjacket. Inscribed by Author(s). Book. Seller Inventory # 008576
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Very good in lightly edgeworn, lightly soiled dust jacket. hardbound 1" tear top back jacket. Remainder mark on bottom edge. Illustrated. Seller Inventory # BOOKS016547
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Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st. Cloth, 256 pages, illustrations (some colour); 26 cm. Near fine. Tight, clean copy. Remainder mark/tail edge. Fine DJ. *** "In this provocative book, a prominent art historian discusses the evolution of American culture--literature, art, architecture, and music--during the 19th century as the nation expanded and matured. John Wilmerding focuses on three turning points-around 1800, when America began to find its identity as a republic; the mid-century, a self-confident period of prosperity and growth; and the century's close, a time of anxiety over profound changes in the psychological and physical dimensions of life. The author provides stimulating analyses of the masterworks of these periods--from Walden and Moby-Dick to the paintings of Thomas Eakins and Winslow Homer--finding common threads and complementary expressions among the images that writers and visual artists alike used to convey the mood and vision of each distinctive era. / JOHN WILMERDING is Sarofim Professor of American Art at Princeton University and visiting curator in the Departments of American Art at The Metropolitan Museum of Art, New York. The former deputy director of the National Gallery of Art, Washington, Wilmerding has written a number of books on American art, including Abrams' Andrew Wyeth: The Helga Pictures. He lives in Princeton, New Jersey." - Publisher. Size: 4to. Seller Inventory # 007512
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Seller: Ultramarine Books, Brooklyn, NY, U.S.A.
Hardcover. Condition: As New. Dust Jacket Condition: As New. First Edition. New York: Harry Abrams, 1999. 256 pages. An overlay of American art on the culture, including literature, poetry, architecture, music and the national vision. First Edition. Cloth. As New/As New. 4to. Seller Inventory # 000418
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