Items related to Printmaking in America
Synopsis
An extraordinary outburst of creative activity occurred among American printmakers between the years 1960 and 1990. New workshops sprang up, like Universal Limited Art Editions on Long Island and the Tamarind Lithography Workshop in Los Angeles, as well as small presses throughout the country. In contrast to traditional European studios, where professional printers reproduced artists' designs, the new American workshops emphasized collaboration between printer and artist, and radical experimentation with mediums and processes. This book shows how the new presses attracted an influx of talented people to printmaking during those years. Frank Stella, Robert Rauschenberg, Red Grooms, Jennifer Bartlett and Robert Longo are just a few of the artists whose work is illustrated here. Due to their achievement and that of other artists, printmaking became recognized as a major art form, and the climate of experimentation fostered by these workshops became a driving force in the contemporary art world. The book is published to coincide with an exhibition which opened at the Zimmerli Art Gallery, New Jersey in April 1995, and is travelling around the United States.
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Printmaking in America
Published by
Harry N. Abrams September 1995, New York, NY, 1995
ISBN 10: 0810937433
ISBN 13: 9780810937437
Used
Hardcover
Seller: Firefly Bookstore, Kutztown, PA, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Used Good. Light wear to cover, slightly bumped corners, pages clean and unmarked. Some pages have light foxing (tan spots or browning). Sun exposure has faded the spine and cover. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request. Seller Inventory # 503798
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Printmaking in America
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Seller rating 5 out of 5 stars
Hardback. Condition: Fair. An extraordinary outburst of creative activity occurred among American printmakers between the years 1960 and 1990. New workshops sprang up, like Universal Limited Art Editions on Long Island and the Tamarind Lithography Workshop in Los Angeles, as well as small presses throughout the country. In contrast to traditional European studios, where professional printers reproduced artists' designs, the new American workshops emphasized collaboration between printer and artist, and radical experimentation with mediums and processes. This book shows how the new presses attracted an influx of talented people to printmaking during those years. Frank Stella, Robert Rauschenberg, Red Grooms, Jennifer Bartlett and Robert Longo are just a few of the artists whose work is illustrated here. Due to their achievement and that of other artists, printmaking became recognized as a major art form, and the climate of experimentation fostered by these workshops became a driving force in the contemporary art world. The book is published to coincide with an exhibition which opened at the Zimmerli Art Gallery, New Jersey in April 1995, and is travelling around the United States. Seller Inventory # 00110698352
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Printmaking in America
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Seller rating 5 out of 5 stars
Hardback. Condition: Good. An extraordinary outburst of creative activity occurred among American printmakers between the years 1960 and 1990. New workshops sprang up, like Universal Limited Art Editions on Long Island and the Tamarind Lithography Workshop in Los Angeles, as well as small presses throughout the country. In contrast to traditional European studios, where professional printers reproduced artists' designs, the new American workshops emphasized collaboration between printer and artist, and radical experimentation with mediums and processes. This book shows how the new presses attracted an influx of talented people to printmaking during those years. Frank Stella, Robert Rauschenberg, Red Grooms, Jennifer Bartlett and Robert Longo are just a few of the artists whose work is illustrated here. Due to their achievement and that of other artists, printmaking became recognized as a major art form, and the climate of experimentation fostered by these workshops became a driving force in the contemporary art world. The book is published to coincide with an exhibition which opened at the Zimmerli Art Gallery, New Jersey in April 1995, and is travelling around the United States. Seller Inventory # CIN0810937433G
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Printmaking in America
Seller: World of Books Inc, Montgomery, IL, U.S.A.
Seller rating 4 out of 5 stars
Hardback. Condition: Fair. An extraordinary outburst of creative activity occurred among American printmakers between the years 1960 and 1990. New workshops sprang up, like Universal Limited Art Editions on Long Island and the Tamarind Lithography Workshop in Los Angeles, as well as small presses throughout the country. In contrast to traditional European studios, where professional printers reproduced artists' designs, the new American workshops emphasized collaboration between printer and artist, and radical experimentation with mediums and processes. This book shows how the new presses attracted an influx of talented people to printmaking during those years. Frank Stella, Robert Rauschenberg, Red Grooms, Jennifer Bartlett and Robert Longo are just a few of the artists whose work is illustrated here. Due to their achievement and that of other artists, printmaking became recognized as a major art form, and the climate of experimentation fostered by these workshops became a driving force in the contemporary art world. The book is published to coincide with an exhibition which opened at the Zimmerli Art Gallery, New Jersey in April 1995, and is travelling around the United States. Seller Inventory # CIN0810937433A
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Printmaking in America
Seller: World of Books Inc, Montgomery, IL, U.S.A.
Seller rating 4 out of 5 stars
Hardback. Condition: Good. An extraordinary outburst of creative activity occurred among American printmakers between the years 1960 and 1990. New workshops sprang up, like Universal Limited Art Editions on Long Island and the Tamarind Lithography Workshop in Los Angeles, as well as small presses throughout the country. In contrast to traditional European studios, where professional printers reproduced artists' designs, the new American workshops emphasized collaboration between printer and artist, and radical experimentation with mediums and processes. This book shows how the new presses attracted an influx of talented people to printmaking during those years. Frank Stella, Robert Rauschenberg, Red Grooms, Jennifer Bartlett and Robert Longo are just a few of the artists whose work is illustrated here. Due to their achievement and that of other artists, printmaking became recognized as a major art form, and the climate of experimentation fostered by these workshops became a driving force in the contemporary art world. The book is published to coincide with an exhibition which opened at the Zimmerli Art Gallery, New Jersey in April 1995, and is travelling around the United States. Seller Inventory # CIN0810937433G
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Printmaking in America
Seller: HPB-Emerald, Dallas, TX, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_469265488
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Printmaking in America
Seller: Half Price Books Inc., Dallas, TX, U.S.A.
Seller rating 5 out of 5 stars
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_478416865
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Printmaking in America
Published by
Harry N. Abrams, 1995
ISBN 10: 0810937433
ISBN 13: 9780810937437
Used
Hardcover
First Edition
Seller: Black Cat Books, Shelter Island, NY, U.S.A.
Seller rating 4 out of 5 stars
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Hardbound in dust jacket. Seller Inventory # A101415
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Printmaking in America: Collaborative Prints and Presses, 1960-90
Seller: Murphy-Brookfield Books, Iowa City SE, IA, U.S.A.
Seller rating 4 out of 5 stars
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. clean, unmarked copy. Seller Inventory # 368063
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Printmaking in America
Seller: Better World Books, Mishawaka, IN, U.S.A.
Seller rating 5 out of 5 stars
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 965055-6