Synopsis
This is a detailed discussion of various aspects of historical performance practice, especially as they relate to liturgical styles of the Renaissance. Issues of timbre, tempo, ensemble, ornamentation, and pitch are among those treated at length in this work intended to broaden the understanding of contemporary choral performers and conductors alike.
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About the Author
Steven E. Plank is Chair of the Department of Musicology at Oberlin College. He is the author of the chapter "'Wrapped all in Woe': Passion Music in Late Medieval England" in The Broken Body (Groningen, 1998) and The Way to Heavens Doore: An Introduction to Liturgical Process and Musical Style (Scarecrow, 1994). He has also been a contributor to diverse music journals, including Early Music, Musical Times, Music & Letters, and Choir and Organ.
"About this title" may belong to another edition of this title.
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Choral Performance : A Guide to Historical Practice
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