In Fugitive Objects, Catriona MacLeod examines the question of why sculpture is both intensively discussed and yet rendered immaterial in German literature. She focuses on three forms of disappearance: sculpture’s vanishing as a legitimate art form at the beginning of the nineteenth century in German aesthetics, statues’ migration from the domain of high art into mass reproduction and popular culture, and sculpture’s dislodging and relocation into literary discourse. Through original readings of Clemens Brentano, Achim von Arnim, Adalbert Stifter, Leopold von Sacher-Masoch, and others, MacLeod reveals that if sculpture has disappeared from much of nineteenth-century German literature and aesthetics, it is a vanishing act that paradoxically relocates the statue back onto another cultural pedestal, attesting to the powerful force of the medium.
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Catriona MacLeod is a professor in the Department of Germanic Languages and Literatures at the University of Pennsylvania in Philadelphia, USA.
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Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New. Seller Inventory # 9780810129344
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Num Pages: 186 pages, black & white illustrations, figures. BIC Classification: 2ACG; DSBF. Category: (G) General (US: Trade). Dimension: 229 x 152 x 18. Weight in Grams: 318. . 2014. Illustrated. paperback. . . . . Seller Inventory # V9780810129344
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 20012146-n
Seller: SKULIMA Wiss. Versandbuchhandlung, Westhofen, Germany
Condition: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren/minor shelfwear. Sculpture and Literature in the German Nineteenth Century. MacLeod examines the question of why sculpture is both intensively discussed and yet rendered immaterial in German literature. She focuses on three forms of disappearance: sculpture?s vanishing as a legitimate art form at the beginning of the nineteenth century in German aesthetics, statues? migration from the domain of high art into mass reproduction and popular culture, and sculpture?s dislodging and relocation into literary discourse. Content: The matter with sculpture: A. W. Schlegel and Hegel; Biting back: Sculpture and the wounds of language in Clemens Brentano's Godwi; The statue as volatile object in Romanticism: Dislodging sculpture; Foreign bodies: Of sculpture and cacti in Adalbert Stifter's Der Nachsommer; Plastic poses: Tableau vivant and narrative suspension in Leopold von Sacher-Masoch's Venus im Pelz. XII,252 Seiten mit 27 Abb., broschiert (Northwestern University Press 2014). Gewicht: 367 g - Softcover/Taschenbuch. Seller Inventory # 848914
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 20012146
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. Num Pages: 186 pages, black & white illustrations, figures. BIC Classification: 2ACG; DSBF. Category: (G) General (US: Trade). Dimension: 229 x 152 x 18. Weight in Grams: 318. . 2014. Illustrated. paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9780810129344