John W. Cones, whose real goal is to stimulate a long-term film industry reform movement, shows how the financial control of the film industry in the hands of the major studios and distributors actually translates into creative control of the industry. Cones discusses the pros and cons of the debate relating to the industry's so-called net profit problem. He then breaks down five major film finance/distribution scenarios, explaining various distribution deals and suggesting ways of negotiating distribution. Critically examining the specific terms of the distribution deal itself, Cones covers gross receipts exclusions, distributor fees, and distributor expenses. He also investigates the various forms of interest, issues of production costs, matters of creative control and general contractual provisions. For handy reference, Cones includes an extensive checklist for negotiating any feature film distribution deal.
"synopsis" may belong to another edition of this title.
John W. Cones was a practicing securities/entertainment attorney based in Los Angeles during the time he researched and wrote this book. He is a prolific writer and lecturer on film finance. His books include Film Finance and Distribution--A Dictionary of Terms, Film Industry Contracts, and 43 Ways to Finance Your Feature Film, also available from Southern Illinois University Press. Currently seeking to encourage interest in the reform of the U.S. film industry, he is working as a staff attorney in the U.S. Congress.
John W. Cones, whose real goal is to stimulate a long-term film industry reform movement, shows how the financial control of the film industry in the hands of the major studios and distributors actually translates into creative control of the industry.
"About this title" may belong to another edition of this title.
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