Discusses the "artificial city" of megamalls, corporate enclaves, gentrified downtowns, and pseudo-historic marketplaces that are rising up around the United States
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"A fascinating account of the various kinds of manipulated but very real places in America today, this book is a model of cultural richness, strong critique, and vibrant history."--Gwendolyn Wright, author of "Building the Dream: A Social History of Housing in America"
"These witty and properly outraged essays are the best introduction I know to worsening urban scene from sea to poisoned sea. Clarifying and terrifying by turns, they don't let you off with any happy ending. This is the "Blade Runner" of urban analysis, the rapier at the end of the window, the autopsy of a future already over--unless, perhaps, everyone who loves cities reads this book."--Todd Gitlin, author of "The Sixties: Years of Hope, Days of Rage"
"This is a scathing indictment of visual image and power. It shows the American landscape turned inside out: the conviction that all places are the same, that we are in constant movement to get there, that our search for authority and authenticity in the built environment winds up excluding others and buying into a visual theme."--Sharon Zuckin, author of "Landscapes of Power: From Detroit to Disney World "
A fascinating account of the various kinds of manipulated but very real places in America today, this book is a model of cultural richness, strong critique, and vibrant history. "Gwendolyn Wright, author of Building the Dream: A Social History of Housing in America"
These witty and properly outraged essays are the best introduction I know to worsening urban scene from sea to poisoned sea. Clarifying and terrifying by turns, they don't let you off with any happy ending. This is the "Blade Runner" of urban analysis, the rapier at the end of the window, the autopsy of a future already over--unless, perhaps, everyone who loves cities reads this book. "Todd Gitlin, author of The Sixties: Years of Hope, Days of Rage"
This is a scathing indictment of visual image and power. It shows the American landscape turned inside out: the conviction that all places are the same, that we are in constant movement to get there, that our search for authority and authenticity in the built environment winds up excluding others and buying into a visual theme. "Sharon Zuckin, author of Landscapes of Power: From Detroit to Disney World""
"A fascinating account of the various kinds of manipulated but very real places in America today, this book is a model of cultural richness, strong critique, and vibrant history." --Gwendolyn Wright, author of Building the Dream: A Social History of Housing in America
"These witty and properly outraged essays are the best introduction I know to worsening urban scene from sea to poisoned sea. Clarifying and terrifying by turns, they don't let you off with any happy ending. This is the Blade Runner of urban analysis, the rapier at the end of the window, the autopsy of a future already over--unless, perhaps, everyone who loves cities reads this book." --Todd Gitlin, author of The Sixties: Years of Hope, Days of Rage
"This is a scathing indictment of visual image and power. It shows the American landscape turned inside out: the conviction that all places are the same, that we are in constant movement to get there, that our search for authority and authenticity in the built environment winds up excluding others and buying into a visual theme." --Sharon Zuckin, author of Landscapes of Power: From Detroit to Disney World
Michael Sorkin, an architect and writer, teaches at Cooper Union and Yale, and is the author of The Exquisite Corpse. For ten years, he was the archtecture critic of The Village Voice.
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Seller: The Book Spot, Sioux Falls, MN, U.S.A.
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