Luminist Horizons celebrates the art and collection of James A. Suydam (1819-1865), an American landscapist best known for his luminist paintings. Despite the fact that his name has been linked with luminism since the term was first coined, Suydam has not received the scholarly attention he deserves. With approximately 180 reproductions (eighty in color), this book considers Suydam's work in tandem with that of fellow Hudson River School artists such as Asher B. Durand, Frederic E. Church, and John F. Kensett and therefore contributes an important chapter to the history of American landscape painting.
Significantly, Suydam's enduring legacy extends beyond his own creative output; his passionate commitment to art motivated his encouragement of emerging artists and his purchase of their paintings. When Suydam died he bequeathed ninety-two contemporary American and European paintings to the Academy, a gift that formed the nucleus of the Academy's permanent collection.
Luminist Horizons accompanies an exhibition that opens at the National Academy Museum in New York in September 2006 before traveling to the Taft Museum of Art (Cincinnati, Ohio) and the Telfair Museum of Art (Savannah, Georgia). 80 color illustrations, 100 in black and white.
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Adrienne Baxter Bell, Ph.D., is the author of George Inness: Painting Philosophy and the editor of George Inness: Writings and Reflections on Art and Philosophy (Braziller, 2006). She served as Guest Curator for the exhibition George Inness and the Visionary Landscape (2003-04) and is an Associate Professor of Art History at Marymount Manhattan College, New York.
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Hardcover. Condition: VG/VG. Green cloth over boards; Color illus. dj.; 288 pp.; 39 bw figures. Includes four interviews from the late 1800s, as well as writings by Inness, including letters, essays, poems, and more; Also includes sixteen writings on Innes's life and work by others, including his son. Seller Inventory # 130316
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Hardcover. Condition: new. Hardcover. Luminist Horizons celebrates the art and collection of James A. Suydam (1819-1865), an American landscapist best known for his luminist paintings. Despite the fact that his name has been linked with luminism since the term was first coined, Suydam has not received the scholarly attention he deserves. With approximately 180 reproductions (eighty in color), this book considers Suydam's work in tandem with that of fellow Hudson River School artists such as Asher B. Durand, Frederic E. Church, and John F. Kensett and therefore contributes an important chapter to the history of American landscape painting. Significantly, Suydam's enduring legacy extends beyond his own creative output; his passionate commitment to art motivated his encouragement of emerging artists and his purchase of their paintings. When Suydam died he bequeathed ninety-two contemporary American and European paintings to the Academy, a gift that formed the nucleus of the Academy's permanent collection. Luminist Horizons accompanies an exhibition that opens at the National Academy Museum in New York in September 2006 before traveling to the Taft Museum of Art (Cincinnati, Ohio) and the Telfair Museum of Art (Savannah, Georgia). 80 color illustrations, 100 in black and white. George Inness's key statements on ideas central to American social and cultural thought. The writings of nineteenth-century American artists, such as Washington Allston, Asher B. Durand, and Thomas Cole, have long been considered essential expressions of the American creative perspective. Now, for the first time, the ideas of George Inness (1825-1894), one of America's greatest landscape painters, are assembled in one volume. "George Inness: Writings and Reflections on Art and Philosophy" reveals Inness to have been one of the most intelligent and knowledgeable public figures of his generation, an artist-philosopher not only deeply engaged with the history of art but also with ideas that resided at the center of American social and intellectual history. In search of knowledge, Inness wrote and discoursed on evolutionary biology, science, mathematics, numerology, psychology, philosophy, and especially theology. This volume assembles the key sources, many hitherto unpublished, on Inness's ideas: his essays, poems, and letters; interviews and public debates with leading critics; comments in biographical profiles; and key passages from his biography, "Life, Art, and Letters of George Inness," Together, these texts reveal Inness's discontent with the gradually diminishing authority of the divine from the story of human creation, a conflict at the center of nineteenth-century American religious and social thought and one that inspired Inness's own magnificent contributions to America's cultural heritage. 12 color illustrations, 10 in black and white. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780807615676