In 1821, Sequoyah, a Cherokee metalworker and inventor, introduced a writing system that he had been developing for more than a decade. His creation—the Cherokee syllabary—helped his people learn to read and write within five years and became a principal part of their identity. This groundbreaking study traces the creation, dissemination, and evolution of Sequoyah’s syllabary from script to print to digital forms. Breaking with conventional understanding, author Ellen Cushman shows that the syllabary was not based on alphabetic writing, as is often thought, but rather on Cherokee syllables and, more importantly, on Cherokee meanings.Employing an engaging narrative approach, Cushman relates how Sequoyah created the syllabary apart from Western alphabetic models. But he called it an alphabet because he anticipated the Western assumption that only alphabetic writing is legitimate. Calling the syllabary an alphabet, though, has led to our current misunderstanding of just what it is and of the genius behind it—until now.In her opening chapters, Cushman traces the history of Sequoyah’s invention and explains the logic of the syllabary’s structure and the graphic relationships among the characters, both of which might have made the system easy for native speakers to use. Later chapters address the syllabary’s enduring significance, showing how it allowed Cherokees to protect, enact, and codify their knowledge and to weave non-Cherokee concepts into their language and life. The result was their enhanced ability to adapt to social change on and in Cherokee terms.Cushman adeptly explains complex linguistic concepts in an accessible style, even as she displays impressive understanding of interrelated issues in Native American studies, colonial studies, cultural anthropology, linguistics, rhetoric, and literacy studies. Profound, like the invention it explores, The Cherokee Syllabary will reshape the study of Cherokee history and culture.Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation
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Robert J. Conley (1940-2014) was the author of the Real People series, The Witch of Goingsnake and Other Stories, Mountain Windsong, and Wil Usdi. Conley was a three-time winner of the Spur Award and was named Oklahoma Writer of the Year in 1999. He was inducted into the Oklahoma Professional Writers Hall of Fame in 1996.
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Paperback. Condition: New. Gaming and chiefing. Imposters and freedmen. Distinguished novelist Robert J. Conley examines some of the most interesting facets of the Cherokee world. In 26 essays laced with humor, understatement, even open sarcasm, this popular writer takes on politics, culture, his people's history, and what it means to be Cherokee.Readers who think they know Conley will find an abundance of surprises in these pages. He reveals historical information not widely known or written about, such as Cherokee Confederate general Stand Watie's involvement in the infamous Reconstruction treaty forced upon his people in 1866, and he explains his admiration for such characters as Ned Christie and Henry Starr, whom some might consider criminals. From legendary figures Dragging Canoe and Nancy Ward to popular icons like Will Rogers to contemporary ""Cherokee Wannabes"" - people seeking ancestral roots whether actual or fanciful - Conley traces the dogged persistence of the Cherokee people in the face of relentless incursions upon their land and culture.""Cherokees are used to controversy,"" observes Conley; ""in fact, they enjoy it."" As provocative as it is entertaining, Cherokee Thoughts will intrigue tribal members and anyone with an interest in the Cherokee people. Seller Inventory # LU-9780806139432