This book is an illustrated edition of Black Elk's account of the seven sacred rites of the Oglala Sioux. Vividly portraying the arrival of the White Buffalo Woman on the Plains, the paintings and charcoals by Vera Louise Drysdale highlight dramatic elements of the ancient rituals she imparted, and they show everyday objects that were sanctified in the Sioux cosmology.The sacred pipe is the central instrument in the holy rites of the Sioux people. The White Buffalo Woman appeared on the Plains to give the pipe to the Sioux so that they might "send their voices" to Wakan-Tanka, the Great Spirit. She related the seven rites of the pipe: the keeping of the soul, the rite of purification, crying for a vision, the Sun Dance, the making of relatives, preparation for womanhood, and the throwing of the ball that symbolizes the earth and gives strength to future generations.In this volume the rituals are condensed, but the continuity of Joseph Epes Brown’s text is preserved. The original text, as given by Black Elk, was recorded in 1947; in 1953 the University of Oklahoma Press published it as The Sacred Pipe.
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Seller: Half Price Books Inc., Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_476658351
Seller: Kenneth Mallory Bookseller ABAA, Decatur, GA, U.S.A.
Paperback. Condition: As new. Paperback. As new in publisher's shrinkwrap. Seller Inventory # 58632
Seller: Jean Blicksilver, Bookseller, Atlanta, GA, U.S.A.
Soft cover. Condition: Very Good. Very Good Over Sized Soft Cover; 11" tall, 4to; photo-illustrated covers; 135 pages including introduction by N. Scott Momaday, foreword by Shepard Krech III, frontispiece photo, the writings of 12 contributing authors, 90 figures (including many captioned photos, a map, and artwork), plus 34 additional captioned photos, a family tree of Kiowa cradle makers, notes, and a bibliography; limited shelf wear; a few corner creases; contributing authors: Jacob Ahtone, Jimmy Arterberry, Ray Doyah, Barbara A. Hail, Sharron Ahtone Harjo, Vanessa Paukeigope Jennings, Juanita Pahdopony-Mithlo, Bernadine Herwona Toyebo Rhoades, Everett R. Rhoades, Christina Hunt Simmons, Beatrice Ahpeahtone Doyah Smith, and Weckeah; produced by the Haffenreffer Museum of Anthropology, Brown University and members of Kiowa and Comanche cradle-making families; a securely bound book; 11 chapters. Seller Inventory # 22557
Seller: Lakeside Books, Benton Harbor, MI, U.S.A.
Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books! Seller Inventory # OTF-S-9780806136042
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 1989374-n
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New. Seller Inventory # 9780806136042
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 1989374
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. With such words, Kiowa and Comanche people express their deep connection to their traditional lattice cradles. Prevalent from 1870 to 1930, these cradles represented a unique, yet extremely practical, art form. These gifts of pride and love reflected close networks, which remained intact despite the difficult transition to reservation life, new religions, government boarding schools, and allotment of tribal lands. This book, a beautiful homage to the artisans who crafted cradleboards, includes a history of the origins of lattice cradles as well as essays by eleven descendants of cradle makers. Forty color and over eighty black-and-white photographs vividly display the creativity and imagination found in these lovingly produced cradles. Reminding people of the Kiowas' and the Comanches' long, arduous struggles to create and maintain a viable identity, the cradles featured in this book connect us to the past. With such words, Kiowa and Comanche people express their deep connection to their traditional lattice cradles. Prevalent from 1870 to 1930, these cradles represented a unique, yet extremely practical, art form. These "gifts of pride and love" reflected close networks, which remained intact despite the difficult transition to reservation life, new religions, government boarding schools, and allotment of tribal lands. This book, a beautiful homage to the artisans who crafted cradleboards, includes a history of the origins of lattice cradles as well as essays by eleven descendants of cradle makers. Forty color and over eighty black-and-white photographs vividly display the creativity and imagination found in these lovingly produced cradles. Reminding people of the Kiowas' and the Comanches' long, arduous struggles to create and maintain a viable identity, the cradles featured in this book connect us to the past. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780806136042
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
paperback. Condition: near fine. Reprint. Illustrated abundantly in color and in black and white. 135 pages. 4to, matte pictorial wrappers (laminate peeled at rear). Norman: University of Oklahoma Press, (2000). A near fine copy. Introduction by N. Scott Momaday. Seller Inventory # 320536
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Seller Inventory # V9780806136042
Quantity: Over 20 available