Examines a symbolism shared by language and money. A historical turning point is noted: a bygone era of "gold-language", the basis for devices of classical representation, which has been succeeded by the present age of "token-language", with its vanishing frames of reference and floating signifers.
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Goux (French, Rice U.) turns the theoretical concerns of his earlier works, Economie et Symbolique and Les Iconoclastes , toward the analysis of modern art and culture. In this work, translated from the 1984 French edition, AndrT Gide's Counterfeiters appears as an exemplary work of literary modernism, its title metaphor of monetary fraudulence use
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