Series Editors: Kinley E. Roby, Northeastern University; Herbert Sussman, Northeastern University; Joseph Bartolomeo, University of Massachusetts; George Economou, University of Oklahoma; Arthur F. Kinney, University of Massachusetts
Twaynes United States Authors, English Authors, and World Authors Series present concise critical introductions to great writers and their works.
Devoted to critical interpretation and discussion of an authors work, each study takes account of major literary trends and important scholarly contributions and provides new critical insights with an original point of view. An Authors Series volumeaddresses readers ranging from advanced high school students to university professors. The book suggests to the informed reader new ways of considering a writers work. A reader new to the work under examination will, after reading theAuthors Series, be compelled to turn to the originals, bringing to the reading a basic knowledge and fresh critical perspectives. Each volume features:
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Maria Frawley is Assistant Professor at Elizabethtown College.
"And none can hear my secret call / Or see the silent tears I weep!" These words from Anne Bronte's poem "The Doubter's Prayer" address the dual function of secrecy and silence, two of several key ideas explored in Bronte's prose and poetry. Secrecy, silence, isolation, and exile are all interrelated notions that her characters, like Bronte herself, not only struggled with but embraced. Like her fictional and poetic characters, Anne Bronte contended with the impact of physical and psychological confinement on one's identity, even describing herself in one of her last letters as a "silent invalid stranger". Her self-assessment was echoed by others who knew her, among them her sister Charlotte, who once described her as woman who "covered her mind, and especially her feelings, with a sort of nun-like veil". Anne Bronte, a new book in the Twayne English Authors Series, challenges the assumption that such labels point to artistic or personal weaknesses on Bronte's part. Rather, Maria Frawley, the author of previous studies of Victorian women writers, relates them to Bronte's life experiences and to her ongoing interest in self-understanding, self-representation, and social identity. Within Bronte's writings, Frawley examines a distinction between the characters' private and public selves and analyzes Bronte's understanding of the social construction of identities. Unique in Bronte family studies, this book acknowledges Anne's relationship to her more famous sisters but focuses on her individual artistic and intellectual achievements.
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