Two features of mathematics stand out: its menagerie of seemingly eternal objects (numbers, spaces, patterns, functions, categories, morphisms, graphs, and so on), and the hieroglyphics of special notations, signs, symbols, and diagrams associated with them. The author challenges the widespread belief in the extra-human origins of these objects and the understanding of mathematics as either a purely mental activity about them or a formal game of manipulating symbols. Instead, he argues that mathematics is a vast and unique man-made imagination machine controlled by writing.
Mathematics as Sign addresses both aspects―mental and linguistic―of this machine. The opening essay, "Toward a Semiotics of Mathematics" (long acknowledged as a seminal contribution to its field), sets out the author's underlying model. According to this model, "doing" mathematics constitutes a kind of waking dream or thought experiment in which a proxy of the self is propelled around imagined worlds that are conjured into intersubjective being through signs.
Other essays explore the status of these signs and the nature of mathematical objects, how mathematical ideograms and diagrams differ from each other and from written words, the probable fate of the real number continuum and calculus in the digital era, the manner in which Platonic and Aristotelean metaphysics are enshrined in the contemporary mathematical infinitude of endless counting, and the possibility of creating a new conception of the sequence of whole numbers based on what the author calls non-Euclidean counting.
Reprising and going beyond the critique of number in Ad Infinitum, the essays in this volume offer an accessible insight into Rotman's project, one that has been called "one of the most original and important recent contributions to the philosophy of mathematics."
"synopsis" may belong to another edition of this title.
Brian Rotman teaches in the Division of Comparative Studies at The Ohio State University. He is the author of Ad Infinitum . . . The Ghost in Turing's Machine: Taking God Out of Mathematics and Putting the Body Back In: An Essay in Corporeal Semiotics (Stanford, 1993) and Signifying Nothing: The Semiotics of Zero (Stanford paperback, 1993).
Two features of mathematics stand out: its menagerie of seemingly eternal objects (numbers, spaces, patterns, functions, categories, morphisms, graphs, and so on), and the hieroglyphics of special notations, signs, symbols, and diagrams associated with them. The author challenges the widespread belief in the extra-human origins of these objects and the understanding of mathematics as either a purely mental activity about them or a formal game of manipulating symbols. Instead, he argues that mathematics is a vast and unique man-made imagination machine controlled by writing.
Mathematics as Sign addresses both aspects--mental and linguistic--of this machine. The opening essay, "Toward a Semiotics of Mathematics" (long acknowledged as a seminal contribution to its field), sets out the author's underlying model. According to this model, "doing" mathematics constitutes a kind of waking dream or thought experiment in which a proxy of the self is propelled around imagined worlds that are conjured into intersubjective being through signs.
Other essays explore the status of these signs and the nature of mathematical objects, how mathematical ideograms and diagrams differ from each other and from written words, the probable fate of the real number continuum and calculus in the digital era, the manner in which Platonic and Aristotelean metaphysics are enshrined in the contemporary mathematical infinitude of endless counting, and the possibility of creating a new conception of the sequence of whole numbers based on what the author calls non-Euclidean counting.
Reprising and going beyond the critique of number in Ad Infinitum, the essays in this volume offer an accessible insight into Rotman's project, one that has been called "one of the most original and important recent contributions to the philosophy of mathematics."
Two features of mathematics stand out: its menagerie of seemingly eternal objects (numbers, spaces, patterns, functions, categories, morphisms, graphs, and so on), and the hieroglyphics of special notations, signs, symbols, and diagrams associated with them. The author challenges the widespread belief in the extra-human origins of these objects and the understanding of mathematics as either a purely mental activity about them or a formal game of manipulating symbols. Instead, he argues that mathematics is a vast and unique man-made imagination machine controlled by writing.
Mathematics as Sign addresses both aspects--mental and linguistic--of this machine. The opening essay, "Toward a Semiotics of Mathematics" (long acknowledged as a seminal contribution to its field), sets out the author's underlying model. According to this model, "doing" mathematics constitutes a kind of waking dream or thought experiment in which a proxy of the self is propelled around imagined worlds that are conjured into intersubjective being through signs.
Other essays explore the status of these signs and the nature of mathematical objects, how mathematical ideograms and diagrams differ from each other and from written words, the probable fate of the real number continuum and calculus in the digital era, the manner in which Platonic and Aristotelean metaphysics are enshrined in the contemporary mathematical infinitude of endless counting, and the possibility of creating a new conception of the sequence of whole numbers based on what the author calls non-Euclidean counting.
Reprising and going beyond the critique of number in Ad Infinitum, the essays in this volume offer an accessible insight into Rotman's project, one that has been called "one of the most original and important recent contributions to the philosophy of mathematics."
"About this title" may belong to another edition of this title.
£ 2.80 shipping within United Kingdom
Destination, rates & speedsSeller: SN Books Ltd, Thetford, United Kingdom
paperback. Condition: Very Good. Orders shipped daily from the UK. Professional seller. Seller Inventory # mon0000470385
Quantity: 1 available
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.5. Seller Inventory # G0804736847I3N10
Quantity: 1 available
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New. Seller Inventory # 252184-n
Quantity: Over 20 available
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # FW-9780804736848
Quantity: 15 available
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In. Seller Inventory # ria9780804736848_new
Quantity: Over 20 available
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition. Seller Inventory # 252184
Quantity: Over 20 available
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 260. Seller Inventory # C9780804736848
Quantity: Over 20 available
Seller: Frabjous Books, Calgary, AB, Canada
Soft cover. Condition: Very Good. x, 170 pp. Rotman "argues that mathematics is a vast and unique man-made imagination machine controlled by writing." Bright clean copy. Covers have some light shelf wear. Seller Inventory # 021347
Quantity: 1 available
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. Mathematics as Sign: Writing, Imagining, Counting 0.5. Book. Seller Inventory # BBS-9780804736848
Quantity: 5 available
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 1st edition. 170 pages. 8.25x5.50x0.50 inches. In Stock. This item is printed on demand. Seller Inventory # __0804736847
Quantity: 2 available