Items related to Gramophone, Film, Typewriter (Writing Science)
Synopsis
Part technological history of the emergent new media in the late 19th century, part theoretical discussion of the responses to these media-including texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovators-this book analyzes this momentous shift using insights from Foucault, Lacan, and McLuhan.
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About the Author
Friedrich A. Kittler is a professor at the Institute for Aesthetics and Cultural Studies at Humboldt University, Berlin.
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Search results for Gramophone, Film, Typewriter (Writing Science)
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Gramophone, Film, Typewriter (Writing Science)
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Stanford University Press, 1999
ISBN 10: 0804732329
ISBN 13: 9780804732321
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GRAMOPHONE, FILM, TYPEWRITER (WRITING SCIENCE)
Published by
Stanford University Press, Stanford, 1999
ISBN 10: 0804732329
ISBN 13: 9780804732321
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Hardcover. Dust Jacket Condition: dj. Octavo, xli, 315 pages. In Very Good condition with a Very Good dust jacket. Spine is brown with orange print on black banner. Boards in black cloth. Illustrated: b&w photographs, drawings. NOTE: Shelved in Netdesk Column F (ND-F) . 1418104. FP New Rockville Stock. Seller Inventory # 1418104
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Gramophone, Film, Typewriter.
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Stanford University Press, Stanford, 1999
ISBN 10: 0804732329
ISBN 13: 9780804732321
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Condition: Fine. 8th printing. 315pp, bright, unmarked. Seller Inventory # 4446604
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Gramophone, Film, Typewriter (Writing Science)
Published by
Stanford University Press, 1999
ISBN 10: 0804732329
ISBN 13: 9780804732321
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hardcover. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only. Seller Inventory # SBAB-L-BBK00153-RAG-20230511-G
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Gramophone, Film, Typewriter
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Gramophone, Film, Typewriter
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Gramophone, Film, Typewriter
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Gramophone, Film, Typewriter
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Stanford University Press, US, 1999
ISBN 10: 0804732329
ISBN 13: 9780804732321
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Seller: Rarewaves USA, HEBRON, KY, U.S.A.
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Hardback. Condition: New. Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation-all data had to pass through the needle's eye of the written signifier-but phonography, photography, and cinematography stored physical effects of the real in the shape of sound waves and light. The entire question of referentiality had to be recast in light of these new media technologies; in addition, the use of the typewriter changed the perception of writing from that of a unique expression of a literate individual to that of a sequence of naked material signifiers. Part technological history of the emergent new media in the late nineteenth century, part theoretical discussion of the responses to these media-including texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovators-Gramophone, Film, Typewriter analyzes this momentous shift using insights from the work of Foucault, Lacan, and McLuhan. Fusing discourse analysis, structuralist psychoanalysis, and media theory, the author adds a vital historical dimension to the current debates over the relationship between electronic literacy and poststructuralism, and the extent to which we are constituted by our technologies. The book ties the establishment of new discursive practices to the introduction of new media technologies, and it shows how both determine the ways in which psychoanalysis conceives of the psychic apparatus in terms of information machines. Gramophone, Film, Typewriter is, among other things, a continuation as well as a detailed elaboration of the second part of the author's Discourse Networks, 1800/1900 (Stanford, 1990). As such, it bridges the gap between Kittler's discourse analysis of the 1980's and his increasingly computer-oriented work of the 1990's. Seller Inventory # LU-9780804732321
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Gramophone, Film, Typewriter (eng)
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Gramophone, Film, Typewriter
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ISBN 13: 9780804732321
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