Using structuralist and post-structuralist methods, this book analyzes a selection of influential Russian texts-classical, modernist, and contemporary-as dialogues with earlier works, in the light of new cultural contexts.
"synopsis" may belong to another edition of this title.
Alexander Zholkovsky is Professor of Slavic Languages and Literatures at the University of Southern California.
The introduction discusses the Russian contribution to modern theories of intertextuality, questions some conventional wisdoms of current critical radicalism, and outlines the author's moderately post-structuralist approach to "close rereading". The author focuses on such major instances of intertextuality as dialogues between authors' entire oeuvres; uses of a common topos by different authors; modern derivations from classical prototypes; exchanges between contemporaries; and multiple intertexts converging on a single text. The book's five parts take up these cases in a systematic way. "Rereading" by definition claims novelty, and the author's rereadings are often striking in their originality. Tolstoy's "After the Ball" is correlated with such disparate contexts as the post-revolutionary Zoshchenko, the post-Stalin Ginzburg, and archaic wedding rituals. Selected Passages is read as a "regular" Gogol text in light of the post-modern Sasha Sokolov. Ilf and Petrov yield unexpected links to Dostoevsky, while Limonov is found to be rewriting Derzhavin. A chapter on Pushkin and Bunin stories establishes a virtual dialogue between their respective critics, Gershezon and Vygotsky, and ends up by revising the latter's famous analysis of "Gentle Breathing". The study of Pasternak's 1930's "aesthetic collaborationism" challenges the accepted view of him as either an oblivious Poet above the fray or a declared dissident. Finally, a modern short story, Platonov's "Fro" - is interpreted as a cluster of variations on, simultaneously, a mythological archetype, a classical model, a contemporary target, and the writer's own invariant plot.
"About this title" may belong to another edition of this title.
Seller: Books to Die For, The Woodlands, TX, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Included. VG/VG. Clean ex-library. Library labels, stamps, envelope. Mylar sleeve glued to inside boards. Board edges lightly rubbed. Spine very slightly cocked, tight. Interior clean, bright. No marks. Good reading/research copy. Seller Inventory # 8442
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized. Seller Inventory # M0804723168Z2
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Seller Inventory # M0804723168Z3
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:0804723168. Seller Inventory # 4138596
Quantity: 1 available
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Condition: New. Seller Inventory # ABLIING23Feb2416190201330
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Hardback. Condition: New. A Stanford University Press classic. Seller Inventory # LU-9780804723169
Seller: moluna, Greven, Germany
Gebunden. Condition: New. Using structuralist and post-structuralist methods, this book analyzes a selection of influential Russian texts--classical, modernist, and contemporary--as dialogues with earlier works, in the light of new cultural contexts.KlappentextrnrnU. Seller Inventory # 595013815
Quantity: Over 20 available
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Hardback. Condition: New. A Stanford University Press classic. Seller Inventory # LU-9780804723169
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Neuware - The introduction discusses the Russian contribution to modern theories of intertextuality, questions some conventional wisdoms of current critical radicalism, and outlines the author's moderately post-structuralist approach to 'close rereading'. The author focuses on such major instances of intertextuality as dialogues between authors' entire oeuvres; uses of a common topos by different authors; modern derivations from classical prototypes; exchanges between contemporaries; and multiple intertexts converging on a single text. The book's five parts take up these cases in a systematic way. 'Rereading' by definition claims novelty, and the author's rereadings are often striking in their originality. Tolstoy's 'After the Ball' is correlated with such disparate contexts as the post-revolutionary Zoshchenko, the post-Stalin Ginzburg, and archaic wedding rituals. Selected Passages is read as a 'regular' Gogol text in light of the post-modern Sasha Sokolov. Ilf and Petrov yield unexpected links to Dostoevsky, while Limonov is found to be rewriting Derzhavin. A chapter on Pushkin and Bunin stories establishes a virtual dialogue between their respective critics, Gershezon and Vygotsky, and ends up by revising the latter's famous analysis of 'Gentle Breathing'. The study of Pasternak's 1930's 'aesthetic collaborationism' challenges the accepted view of him as either an oblivious Poet above the fray or a declared dissident. Finally, a modern short story, Platonov's 'Fro' - is interpreted as a cluster of variations on, simultaneously, a mythological archetype, a classical model, a contemporary target, and the writer's own invariant plot. Seller Inventory # 9780804723169