Items related to The Bridge of Dreams: Poetics of "Tale of Genji"
Synopsis
The Bridge of Dreams is a brilliant reading of The Tale of Genji that succeeds both as a sophisticated work of literary criticism and as an introduction this world masterpiece. Taking account of current literary theory and a long tradition of Japanese commentary, the author guides both the general reader and the specialist to a new appreciation of the structure and poetics of this complex and often seemingly baffling work.
The Tale of Genji, written in the early eleventh century by a court lady, Murasaki Shikibu, is Japan's most outstanding work of prose fiction. Though bearing a striking resemblance to the modern psychological novel, theGenji was not conceived and written as a single work and then published and distributed to a mass audience as novels are today. Instead, it was issued in limited installments, sequence by sequence, to an extremely circumscribed, aristocratic audience. This study discusses the growth and evolution of the Genji and the manner in which recurrent concernspolitical, social, and religiousare developed, subverted, and otherwise transformed as the work evolves from one stage to another.
Throughout, the author analyzes the Genji in the context of those literary works and conventions that Murasaki explicitly or implicitly presupposed her contemporary audience to know, and reveals how theGenji works both within and against the larger literary and sociopolitical tradition.
The book contains a color frontispiece by a seventeenth-century artist and eight pages of black-and-white illustrations from a twelfth-century scroll. Two appendixes present an analysis of biographical and textual problems and a detailed index of principal characters.
The Tale of Genji, written in the early eleventh century by a court lady, Murasaki Shikibu, is Japan's most outstanding work of prose fiction. Though bearing a striking resemblance to the modern psychological novel, theGenji was not conceived and written as a single work and then published and distributed to a mass audience as novels are today. Instead, it was issued in limited installments, sequence by sequence, to an extremely circumscribed, aristocratic audience. This study discusses the growth and evolution of the Genji and the manner in which recurrent concernspolitical, social, and religiousare developed, subverted, and otherwise transformed as the work evolves from one stage to another.
Throughout, the author analyzes the Genji in the context of those literary works and conventions that Murasaki explicitly or implicitly presupposed her contemporary audience to know, and reveals how theGenji works both within and against the larger literary and sociopolitical tradition.
The book contains a color frontispiece by a seventeenth-century artist and eight pages of black-and-white illustrations from a twelfth-century scroll. Two appendixes present an analysis of biographical and textual problems and a detailed index of principal characters.
"synopsis" may belong to another edition of this title.
Review
"A solid, well-constructed, cogently argued work, full of valuable insights, and informed by a consistent, sophisticated, highly persuasive point of view. It is worlds removed from early Western writers' impressionistic generalizations about the Genji."
--Helen Craig McCullough
, University of California, Berkeley
"A remarkable study. It is one of the most satisfying exegeses of a work of fiction that I can recall--one of those rare critical books that leave the reader with both enhanced appreciation of tis subject and ideas that continue to reverberate. Beautifully written, it should be accessible to an unusually wide audience. It will be landmark in Genji studies."
--Marian Ury
, University of California, Davis
About the Author
Haruo Shirane is Assistant Professor in the Department of East Asian Languages and Cultures at Columbia University.
"About this title" may belong to another edition of this title.