Also included are portraits of Marcel Duchamp, Francis Picabia, and Breton’s mysterious friend Jacques Vaché, as well as a crisis-by-crisis account of his dealing with Dada’s leader, Tristan Tzara. Finally, Breton offers a first glimpse of Surrealism, the movement that was forever after identified with his name and that stands as a defining force in twentieth-century aesthetics.
"synopsis" may belong to another edition of this title.
Mary Ann Caws is Distinguished Professor of French at Hunter College and at the City University of New York. Her most recent work is Robert Motherwell: What Art Holds. She is the translator of André Breton’s Mad Love (Nebraska 1987) and Communicating Vessels (Nebraska 1990).
"About this title" may belong to another edition of this title.
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