Will Self's DORIAN is a "shameless imitation" of Oscar Wilde's The Picture of Dorian Gray that reimagines the novel in the milieu of London's early-80s art scene, which for liberated homosexuals were a golden era of sex, drugs and decadence before the AIDS epidemic struck later in the decade. It is "an age in which appearances matter more and more and more. Only the shallowest of people won't judge by them." Young Dorian Gray, just out of school, is a trust funded, impressionable Adonis-like blonde with none of the cynicism of the characters who end up corrupting his innocence even as they love him for it. He arrives in London to help socialite and philanthropist Phyllis Hawtree with her project of running a shelter for young drug addicts. He knows he is strikingly beautiful, that he could be a male model, but he tries not to get too caught up in the "looks thing." Basil Hallward, an artist friend of Phyllis's son Henry Wotton, meets Dorian and immediately falls for him, asking him to pose for a video installation called Cathode Narcissus, wherein Dorian is surrounded by nine television monitors which project images of himself looking into a mirror. In the book's final pages, we discover that Dorian is so taken by the images that he makes a wish that they will age while he remains eternally young. And indeed, Dorian soon swears he sees some faint traces of aging in the images.
Meanwhile Dorian is so impressed with the witty, sophisticated banter between Baz and Wotton that he immediately wants to be part of their world (he is described as a social chameleon, easily slipping into the characteristics and fashions and mannerisms of those around him). Dorian, then, breaks up with his college girlfriend and takes up with Baz's friend Wotton, a rich, intelligent but affectless homosexual boozer and cokehead (and careless Jaguar driver) who has a loveless marriage of convenience with the socialite Lady Victoria, a somewhat batty woman who is fine to live in denial of her husband's sexuality so long as their marriage keeps bringing in a flood of party invitations. Jealous of Baz's affections for Dorian and eager to see Dorian "thoroughly pleasure this jaded century" via his unparalleled looks and money, he takes Dorian under his wing and Dorian soon grows to prefer the wild, devil-may-care Wotton over the earnest, somewhat pretentious Baz. ("Baz Hallward the wayward acolyte, seething with energy and bumptiousness; while the younger man [Wotton] played the part of his mentor, consumed with cool, eaten up with indifference.") "Dorian knew his own limitation: he had money but no real style. His upbringing had been here and there, on the fringes of film sets, in foreign hotelsā ] It had given him polish but no shine. He lacked the deep lustre of someone like Wotton." But in truth, Wotton is no better himself: "Henry Wotton was subject to saying to anyone who would listen that the chameleon is the most significant of modern types." And while outer appearance would seem to belie this, the truth was that beneath the Planet of Wotton was a realm of complete flux." The characters to which Wotton introduces Dorian are no better: drug addicts who revere Dorian only for his looks and money. As Dorian gets caught up in this world he becomes every bit as superficial as these people: "Dorian had begun to display talents in the only two areas of life that are worth considering, he was becoming a seducer par excellence, and he was transforming himself into an artificer of distinction, a person who is capable of employing all of the objective world to gain his own end." He eventually falls for a junkie named Herman largely for his beautiful black skin. To celebrate the debut of Cathode Narcissus, Dorian invites Herman over for an orgy with Wotton, Baz, and the others although not as jaded as Dorian has become (and apparently not a homosexual), Herman's craving for drugs is such that he agrees, and at the party he shares a needle with the other"synopsis" may belong to another edition of this title.
"Fresh and entertaining...Self's tale offers compassion and hope, ultimately giving Dorian a visceral and emotional conclusion....The tamed excess of Self's irreverent and unrelenting voice make Dorian an exceptional read and a thought-provoking examination of the most basic of human vices."
'Chilling, hysterical, tasteless and haunting. A Gothic thriller complementing and enriching its original' Independent on Sunday
'Shot through with dark humour and pathos' Big Issue
In the summer of 1981, aristocratic, drug-addicted Henry Wooten and Warhol-acolyte Baz Hallward meet Dorian Gray. Dorian is a golden adonis - perfect, pure and (so far) deliciously uncorrupted. The subject of Baz's video installation, Cathode Narcissus, and the object of Henry's attentions, Dorian is launched on a hedonistic binge that spans the '80s and '90s. But as Baz and Henry succumb to the disease du jour, how is it that Dorian, despite all his sexual and narcotic debauchery, remains so unsullied - so vibrantly alive?
'Self's reincarnation of Dorian has taken the fag ends of both an English century and an English myth and given them new, troubling and hugely entertaining life' Neil Bartlett, Guardian
'A book that filled its first reviewers with "the odour of moral and spiritual putrefaction" just got smellier, darker and funnier' Observer
'Savage and hilarious [with a] delicious sense of dread. Wilde would have been flattered by Self's brilliant "imitation" of his tainted love story' Time Out
"About this title" may belong to another edition of this title.
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
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Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0802140475I3N00
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Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Paperback. Condition: Good. "The most significant way in which Self's book differs from its predecessor is in its very freedom and frankness. . . . There's no denying Self's novel's cleverness, best displayed in its neatly postmodern ending." --Sophie Harrison, The New York Times Book Review Set against the AIDS epidemic of the 1980s and '90s, Will Self's Dorian is a shameless reworking of our most significant myth of shamelessness. It is the summer of 1981 and Henry Wotton, uneasily gay, egregiously drug addicted, and queasily snobbish, is at the center of a Chelsea clique dedicated to timeless dissolution. His friend Baz Hallward, a sometime Warhol acolyte and video installation artist, has discovered a most remarkable young man, the very epitome of male beauty, Dorian Gray. Hallward's installation, "Cathode Narcissus," captures all of Dorian's allure, but perhaps it's captured another more integral part of him as well? Certainly, after a night of debauchery that climaxes in a veritable conga line of buggery, Wotton and Hallward have been snared by a sinister retrovirus that becomes synonymous with the decade. After sixteen years of delirious drug taking and ruthless fornication, their playmates have succumbed to the disease de jour. But what of Wotton and Hallward? How have they fared as the stock market soared and their T-cell counts plummeted? And what of Dorian, a sultan of style in an era of mass superficiality? while all around him shrivel and die, how is it that he remains so unsullied--so vibrantly alive? By one of our most wildly imaginative novelists--who has been praised by The New York Times Book Review as a "high powered satirical weapon"--Dorian brilliantly evokes the decade in which it was fine to stare into the abyss, so long as you were wearing two pairs of Ray-Bans. Seller Inventory # 00103495125
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Seller: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condition: Good. "The most significant way in which Self's book differs from its predecessor is in its very freedom and frankness. . . . There's no denying Self's novel's cleverness, best displayed in its neatly postmodern ending." --Sophie Harrison, The New York Times Book Review Set against the AIDS epidemic of the 1980s and '90s, Will Self's Dorian is a shameless reworking of our most significant myth of shamelessness. It is the summer of 1981 and Henry Wotton, uneasily gay, egregiously drug addicted, and queasily snobbish, is at the center of a Chelsea clique dedicated to timeless dissolution. His friend Baz Hallward, a sometime Warhol acolyte and video installation artist, has discovered a most remarkable young man, the very epitome of male beauty, Dorian Gray. Hallward's installation, "Cathode Narcissus," captures all of Dorian's allure, but perhaps it's captured another more integral part of him as well? Certainly, after a night of debauchery that climaxes in a veritable conga line of buggery, Wotton and Hallward have been snared by a sinister retrovirus that becomes synonymous with the decade. After sixteen years of delirious drug taking and ruthless fornication, their playmates have succumbed to the disease de jour. But what of Wotton and Hallward? How have they fared as the stock market soared and their T-cell counts plummeted? And what of Dorian, a sultan of style in an era of mass superficiality? while all around him shrivel and die, how is it that he remains so unsullied--so vibrantly alive? By one of our most wildly imaginative novelists--who has been praised by The New York Times Book Review as a "high powered satirical weapon"--Dorian brilliantly evokes the decade in which it was fine to stare into the abyss, so long as you were wearing two pairs of Ray-Bans. Seller Inventory # CIN0802140475G
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Paperback. Condition: new. Paperback. "The most significant way in which Self's book differs from its predecessor is in its very freedom and frankness. . . . There's no denying Self's novel's cleverness, best displayed in its neatly postmodern ending." --Sophie Harrison, The New York Times Book ReviewSet against the AIDS epidemic of the 1980s and '90s, Will Self's Dorian is a shameless reworking of our most significant myth of shamelessness. It is the summer of 1981 and Henry Wotton, uneasily gay, egregiously drug addicted, and queasily snobbish, is at the center of a Chelsea clique dedicated to timeless dissolution. His friend Baz Hallward, a sometime Warhol acolyte and video installation artist, has discovered a most remarkable young man, the very epitome of male beauty, Dorian Gray. Hallward's installation, "Cathode Narcissus," captures all of Dorian's allure, but perhaps it's captured another more integral part of him as well?Certainly, after a night of debauchery that climaxes in a veritable conga line of buggery, Wotton and Hallward have been snared by a sinister retrovirus that becomes synonymous with the decade. After sixteen years of delirious drug taking and ruthless fornication, their playmates have succumbed to the disease de jour. But what of Wotton and Hallward? How have they fared as the stock market soared and their T-cell counts plummeted? And what of Dorian, a sultan of style in an era of mass superficiality? while all around him shrivel and die, how is it that he remains so unsullied--so vibrantly alive?By one of our most wildly imaginative novelists--who has been praised by The New York Times Book Review as a "high powered satirical weapon"--Dorian brilliantly evokes the decade in which it was fine to stare into the abyss, so long as you were wearing two pairs of Ray-Bans. Set against the AIDS epidemic of the eighties and nineties, Self's "Dorian" is a shameless reworking of the most significant myth of shamelessness, brilliantly evoking the decade in which it was fine to stare into the abyss, so long as you were wearing two pairs of Ray-Bans. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780802140470