Between 1890 and 1939, the groups of men involved in running Britain's four main public art galleries - the National Gallery, the Tate Gallery, the Wallace Collection, and the National Portrait Gallery - were embroiled in continuous power struggles. Stewards of the Nation's Art examines the internal tensions between the galleries' administrative directors, the aristocrats dominating the boards of trustees, and those in the Treasury who controlled the funds as well as board appointments.
Andrea Geddes Poole uses meticulous primary research from all four of these institutions to discuss changing ideas about class, education, and work during this period. The conflicts between aristocratic trustees and administrative directors were not only about the running of the galleries, but also reflected the era's strain between aristocratic amateurs and nouveau riche professionals. Stewards of the Nation's Art is an absorbing study that explores the extent to which the aristocracy was able to hold on to cultural power in an increasingly professional and meritocratic age.
"synopsis" may belong to another edition of this title.
Andrea Geddes Poole is a historian of nineteenth- and twentieth-century Britain and of philanthropy to the arts. She is also the author of Stewards of the Nation’s Art: Contested Cultural Authority, 1890–1939.
"About this title" may belong to another edition of this title.
Seller: BMV Bloor, Toronto, ON, Canada
Condition: Good. Used - Good. Seller Inventory # 23-a - 00014
Seller: The Great Catsby's Rare Books, Edmonton, AB, Canada
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. Fine in near fine jacket. One small tear to lower front corner, else a pristine copy with light pencil underlining and marginalia. Octavo, 308 pages. Seller Inventory # ABE-1531501053818
Seller: curtis paul books, inc., Crestline, CA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Black cloth gilt. Square, tight and unmarked; appears unread. The DJ in mylar is fine. ; 9.1 X 6.2 X 1.3 inches. Seller Inventory # 37483
Seller: Book Emporium 57, Ottawa, ON, Canada
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 304 pgs. Black & white photos. No underlining or highlighting. Includes dust jacket. Between 1890 and 1939, the groups of men involved in running Britain's four main public art galleries - The National Gallery, the Tate Gallery, the Wallace Collection, and the National Portrait Gallery - were embroiled in continuous power struggles. Poole uses meticulous primary research from all 4 to discuss changing ideas about class, education, and work during this period. Seller Inventory # ABE-1680362093952
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # FW-9780802099600
Quantity: 15 available
Seller: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condition: Fine. Seller Inventory # mon0003784253
Seller: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condition: Very Good. Seller Inventory # mon0003785383
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 6648323
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new. Seller Inventory # da16cc104d75f052af92cbe5fed73d10
Quantity: Over 20 available
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. New copy - Usually dispatched within 4 working days. Seller Inventory # B9780802099600
Quantity: Over 20 available