Explores, from a cross-cultural viewpoint and in terms of symbolic expression, the self's problematic relationship to language and art and to the culture embedding the language and art.
This is the third in a series dealing with the concept of self and its importance in understanding Chinese, Japanese, and Indian cultures. The authors examine the relationship between self and image and its significance in attaining a deeper knowledge of Chinese, Japanese, and Indian cultures.
The relationship between self and image is as complex as it is fascinating. It takes on different meanings and significances in diverse cultures. In this volume, the focus of attention is largely on representational practices and symbolic media, such as literature, cinema, art, and dance. By examining both classical and contemporary works associated with China, India, and Japan, the authors seek, on the one hand, to demonstrate the intricate relationship between self and image and, on the other, to make use of that relationship to further our understanding of these cultures.
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Roger T. Ames is Humanities Chair Professor in the Department of Philosophy at Peking University. His published works include translations of the Chinese philosophical canons and several interpretive studies.
T. P. Kasulis is Professor of Philosophy and Religion at Northland College in Ashland, Wisconsin, and Secretary of the Society for Asian and Comparative Philosophy.
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