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9780789206534: Maya Script: The Civilization and Its Writing

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This volume presents about 200 Maya glyphs (symbolic figures). Some are ideograms (pictorial symbols representing things, not words); others are phonetic signs. The glyphs express people, animals, things, and such abstract concepts as death. Each one opens a window onto fragments of everyday life, religious beliefs, or even emotions. The complexity of the Maya calendar, mathematical computations, and astronomy reveals a highly-developed civilization. This book also features two-colour drawings of the glyphs, illustrations from reliefs and Spanish codices, and examples of Maya sculpture and paintings. Concluding the book is a chapter on writing systems of the New World, a list of museums to visit, a bibliography, and an index of glyphs.

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About the Author

Maria Longhena, a scholar of South and Central American pre–Columbian civilizations and history, is actively engaged in intensive research of Maya written sources. Her studies have been published in international scientific journals and she has been involved in numerous museum exhibitions in Europe, including "Inca–Peru: 3000 Years of History" and "In Search of the American Past."

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Excerpt from Maya Script

Chapter: Astronomy

Moon

The moon glyph recurs frequently in the inscriptions and codices, the moon cycle being central to calendar reckoning. The moon was associated with several divine figures, and it iconography very probably changed over the course of centuries.

In the complex astronomical studies the Maya performed, the most trying calculations were probably those that traced the movement of the moon, which is irregular. In the inscriptions, the dates of the Initial Series were followed by the dates of the Lunar Series, which sometimes included eight glyphs about the satellite’s cycle. One of these pointed out the length of the month, whether it was twenty nine or thirty days, while another glyph gave the age of the moon at the precise historical moment to which the inscription referred.

The Maya were faced every day with the inevitable necessity of relating the solar calendar to the lunar calendar. To solve this problem, as we can infer from passages of the so-called Prayer Book, they probably used criteria similar to the Metonic nineteen-year cycle.

In any case, archaeology has shown that, starting from the middle of the fourth Century A.D., every astronomical center in the various cities adopted corrections to make the two calendars coincide. In A.D. 649, for their calculations Copán’s scientists began to use a formula that consisted in dividing 4,400 days by 149 moons. This method was probably effective since it was later adopted by all the centers. Thus, these ancient astronomers were able to establish an average length of 29.53050 days for each lunar cycle. Here too the level of precision they reached in their calculations is extraordinary, since we know that the lunar phase consists of exactly 29.53050 days. Seven pages of the Dresden Codex illustrate 405 consecutive lunar phases, which extend over a period of approximately thirty-two years and nine months, arranged in sixty-nine groups, during which the lunar cycles corresponded to the sacred ritual periods.

According to what we mentioned earlier, the moon, like other heavenly bodies, was considered a manifold female goddess, associated above all with fertility. According to both the Maya and the Aztec, the surface of the Moon contained the shape of a rabbit.

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Soft cover. Condition: Fine. No Jacket. This volume presents about 200 Maya glyphs (symbolic figures). Some are ideograms (pictorial symbols representing things, not words); others are phonetic signs. The glyphs express people, animals, things, and such abstract concepts as death. Each one opens a window onto fragments of everyday life, religious beliefs, or even emotions. The complexity of the Maya calendar, mathematical computations, and astronomy reveals a highly-developed civilization. This book also features two-colour drawings of the glyphs, illustrations from reliefs and Spanish codices, and examples of Maya sculpture and paintings. Concluding the book is a chapter on writing systems of the New World, a list of museums to visit, a bibliography, and an index of glyphs. This was translated from the Italian by Rosanna M. Giammanco Frongia. // This is a 1st edition paperback in fine condition. (180 pages). Seller Inventory # 7418

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