This collection of new essays explores the many ways in which composers have been depicted in film and what audiences have taken away from such depictions. Beginning with some of the earliest silent film examples--including some of the first feature-length "bio-pics" ever produced--these essays range from the 12th century abbess Hildegard of Bingen to the great classical and romantic eras of Verdi, Wagner, Berlioz and Strauss, up to the 20th century's Elgar, Delius, Gershwin and Blitzstein.
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Paul Fryer is an academic, author, editor and researcher, based in Kent (UK). He has lectured and presented film screenings internationally and is a visiting professor at the Universities of Leeds, London South Bank and East London.
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Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Explores the many and varied ways in which composers have been depicted on the cinema screen. Beginning with some of the very earliest silent films examples, these essays range in subject from the 12th century abbess, Hildegard of Bingen, through the great . Seller Inventory # 594990055
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