The distinctive typography and elegant compositions designed by William Joseph “Dard†Hunter (American, 1883–1966) have become icons of the American Arts and Crafts style and have established him as one of America's most influential graphic artists of the twentieth century.At age 21, Hunter talked his way into a summer job at the famed Roycroft arts community in East Aurora, New York, and ended up staying. He had grown up around printing pressesa??his father was in the newspaper businessa??and had already dabbled with graphic arts. Under the mentorship of Roycroft leader Elbert Hubbard, Hunter forged his own design path, one that initially found its inspiration in William Morris's Kelmscott Press but quickly shifted to modeling contemporary European design trends.After marrying in 1908, Hunter and his wife enjoyed an extended visit to Vienna, where he immersed himself in the creative output of Austrian and German Secession artists, and the products of the Vienna Workshop (Wiener...
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Lawrence Kreisman, Hon. AIA Seattle, is program director of Historic Seattle, which produces an annual Bungalow Fair and Arts and Crafts lecture series. He has been recognized for significant work in bringing public attention to the Northwest's architectural heritage and its preservation through courses, tours, exhibits, lectures, articles, books, and program development. His publications include "Apartments by Anhalt"; "The Stimson Legacy: Architecture in the Urban West"; and "Made to Last: Historic Preservation in Seattle and King County", as well as hundreds of design features in . Kreisman holds Master's degrees in architecture from the University of Washington and in English literature from the University of Chicago. His lectures and tours on late nineteenth and early twentieth century design and architecture take place throughout the Pacific Northwest.
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Hardcover. Condition: New. The distinctive typography and elegant compositions designed by William Joseph âDardâ Hunter (American, 1883â"1966) have become icons of the American Arts and Crafts style and have established him as one of America's most influential graphic artists of the twentieth century. At age 21, Hunter talked his way into a summer job at the famed Roycroft arts community in East Aurora, New York, and ended up staying. He had grown up around printing pressesâ"his father was in the newspaper businessâ"and had already dabbled with graphic arts. Under the mentorship of Roycroft leader Elbert Hubbard, Hunter forged his own design path, one that initially found its inspiration in William Morris's Kelmscott Press but quickly shifted to modeling contemporary European design trends. After marrying in 1908, Hunter and his wife enjoyed an extended visit to Vienna, where he immersed himself in the creative output of Austrian and German Secession artists, and the products of the Vienna Workshop (Wiener Werkstatte). In a letter home, Hunter wrote, âI think it's up to me to do from the U.S. what these fellows have done from [Vienna].â The couple returned to Vienna in 1910 so that Hunter could attend a prestigious graphic arts school. In England in 1911, Hunter became fascinated with making handmade paper, a craft that had ceased to exist in the United States. He moved to Marlborough, New York, a year later, where he built a paper mill and became the reigning expert on papermaking, eventually writing eighteen books on the subject. But Hunter's graphic art is what remains instantly recognizable and beloved today. Dard Hunter: The Graphic Works features more than 80 of his designs for book covers and title pages, booklets, bookplates, brochures, letterheads, and stained glass windows. Accompanied by historical photographs and examples from Hunter's design contemporaries, author Lawrence Kreisman's illuminating text establishes Hunter as a unique voice that emerged from a multitude of extraordinary influences in an incomparable era of flourishing artistic achievement. Seller Inventory # 93345
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