A critical analysis of the films and career of George Cukor
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Murray Pomerance is Canadian film scholar, author, and professor teaching in the Department of Sociology at Ryerson University. R. Barton Palmer is Calhoun Lemon Professor of Literature at Clemson University, where he directs the film studies program.
"An MGM-style all-star cast of critics provide innumerable fresh insights into Cukor's rich and surprisingly varied career, his working methods and his signature subjects. The self-effacing Cukor believed in not calling attention to his craft, but he would have appreciated the sophistication and nuance with which these scholars illuminate his achievements." Matthew H. Bernstein, Emory University One of the studio era's most famous and admired directors, George Cukor made some of American cinema's most beloved classics, including The Women, Gaslight, Adam's Rib, A Star is Born, and My Fair Lady. Not himself a scriptwriter, he was particularly adept at choosing which properties to adapt and then managing the adaptation process with verve and skill. But what makes for a good adapter, for a talented master of ceremonies who knows where to put everything and everybody, including the camera? Who knows how to make a property his own even while enhancing the value it has as belonging to someone else? The essays in this volume, all written by prominent experts in their field, provide a series of complementary answers to those questions. Although responsible for many of the films that came to define an era, Cukor himself has received surprisingly little critical attention. With a theatrical style successfully transferred from his Broadway career, Cukor was still a man of the cinema, fascinated by the ever-developing potentials of his adopted medium, as shown by the more than fifty films he directed in a career that endured from the early sound era into the 1970s. Offering a critical discussion of every feature film Cukor directed, and including a rich trove of valuable information about their production histories, this is the first critical anthology devoted to one of the most celebrated figures from American cinema's golden age. Murray Pomerance is Professor in the Department of Sociology at Ryerson University. He is the series editor of Horizons of Cinema and Techniques of the Moving Image. R. Barton Palmer is Calhoun Lemon Professor of Literature and Director of Film Studies at Clemson University. With Linda Badley, he serves as the general editor of the two Edinburgh University Press book series Traditions in American Cinema and Traditions in World Cinema. Cover image: A Star is Born, 1954 (c) Warner Bros./The Kobal Collection Cover design: Stuart Dalziel [EUP logo] www.euppublishing.com
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Hardcover. Condition: new. Hardcover. George Cukor is one of the studio era's most famous and admired directors, with many of the American cinema's most beloved classics to his credit, including The Women, Gaslight, Adam's Rib, A Star is Born, and My Fair Lady to his credit. Not himself a scriptwriter, he was particularly adept at choosing which properties to adapt and then managing the adaptation process with verve and effectiveness. What makes for a good adapter, for a talented master of ceremonies who knows where to put everything and everybody (including the camera)? Who knows how to make a property his own even while enhancing the value it has as belonging to someone else? The essays in this volume provide a series of complementary answers to those questions. Though many of his films are celebrated, Cukor has hitherto not received appropriate critical attention. Cukor's interest in the various forms of indoor cinema lacked the generic focus of Ford's westerns and Hitchcock's thrillers. His style was theatricality writ large, a successful transference to the screen of what he had learned from his successful Broadway career, including the outsized, often flamboyant handling of emotionality. Yet Cukor was also a man of the cinema, fascinated by the ever-developing potentials of his adopted medium, as shown by the more than fifty films he directed in a career that endured from the early sound era into the 1970s. The various essays in this volume, all written by prominent experts in the field, offer critical discussions of every feature film Cukor directed and include a rich trove of valuable information about their production histories. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780748693566
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