Contemporary Stylistics: Language, Cognition, Interpretation (Edinburgh Textbooks on the English Language - Advanced) - Hardcover

Gibbons, Alison; Whiteley, Sara

Hardcover

ISBN 10: 0748682767 ISBN 13: 9780748682768

Publisher: Edinburgh University Press, 2018

Synopsis

Provides a clear introduction to the key terms and frameworks in cognitive poetics and stylisticsHow do texts create meaning? How do we arrive at our textual interpretations? Why do we become 'lost in a book' or feel deep emotion in response to a literary character? Through close attention to the way texts are written and the language they use, as well as what we know about the human mind, 'Contemporary Stylistics' provides readers with the tools to begin answering these questions. In doing so, it introduces the theoretical principles and practical frameworks of stylistics and cognitive poetics, supplying the practical skills to analyse your own responses to literary texts. Including innovative activities for students and with case studies of work by writers like Dylan Thomas, EL James and Kazuo Ishiguro, this is a detailed analysis of contemporary stylistics that offers both historical contextualization of the discipline and points towards its possible future direction.Key Features:Introduces the key terms for each contemporary stylistic frameworkOutlines the foundations of the discipline and addresses cutting-edge developments such as reader response research, corpus methods, multimodality and reader emotion Contains practical analyses, innovative exercises for students, and further reading suggestions in each chapterAddresses the recent attention to multimodal and digital literature and research into empiricism and emotionEach topic is explored through original analyses of a wide range of texts, including poetry, prose, dialogue, song lyrics, political discourse, and linguistic transcriptsThere are stylistic and cognitive poetic analyses through the book. The key case studies include:'The Canal' Lee Rourke (2010)'Zang Tumb Tumb' by Marinetti (1914)'River in Spate' by Louis MacNeice'Under Milk Wood' by Dylan Thomas (1954)'Space Sonnet & Polyfilla' by Edwin Morgan (1977)'In Defense of Our Overgrown Garden' by Matthea Harvey (2000)'House of Cards''What is the What' by Dave Eggers (2006)'Ash Wednesday' by Ethan Hawke (2002)'Fresh Meat''Fifty Shades of Grey' by E. L. James (2012)'Received Pronunciation' by Sally Goldsmith (2012)'The house is not the same since you left' by Henry Normal (1993)'The Lives of Others' by Neel Mukherjee (2014)'My Name is Lucy Barton' by Elizabeth Stroud (2016)'How to Get Filthy Rich in Rising Asia' by Mohsin Hamid (2013)'The Unconsoled' by Kazuo Ishiguro (2005)'The One Ronnie''The Girl on the Train' by Paula Hawkins (2015)'I Am The Song' by Charles Causley'Hypothetical' by Maria Taylor'This is the Poem in which I Have Not Left You' by Julia Copus (2012)'13, rue Therese' by Elena Mauli Shapiro (2011)'Illuminae' by Amie Kaufman and Jay Kristoff (2015)'Karen' by Blast Theory (2015)'Blood Story' by Melvin Burgess

About this title

About the Authors

Alison Gibbons is Reader in Contemporary Stylistics at Sheffield Hallam University, UK. She is the author of Multimodality, Cognition, and Experimental Literature (Routledge 2012) and editor of Mark Z. Danielewski (Manchester University Press 2011), the Routledge Companion to Experimental Literature (Routledge 2012), Metamodernism: Historicity, Affect, and Depth after Postmodernism (Rowman & Littlefield International 2017) and Pronouns in Literature: Perspectives and Positions in Language (Palgrave 2018).

Sara Whiteley is Senior Lecturer in Language and Literature at the University of Sheffield, UK. She is a cognitive stylistician with a particular interest in the way readers experience contemporary literature. She is co-author of The Discourse of Reading Groups: Integrating Cognitive and Sociocultural Perspectives (Routledge, 2016) and co-editor of The Cambridge Handbook of Stylistics (Cambridge University Press, 2014).

From the Back Cover

Edinburgh Textbooks on The English Language - Advanced Series Editor: Heinz Giegerich Books in this series provide readers with a detailed description and explanation of key areas of english Language study. The authors presuppose a basic working knowledge of the topic and explore aspects of the linguistics of english for an intermediate or advanced student readership. 'Gibbons and Whiteley present an elegant and usable guide to current stylistics in all its disciplinary richness. They demonstrate the appeal of the field with brilliantly creative analyses of a wide range of literature. Any literary criticism of any literary text will be richer with this book to hand.' Peter Stockwell, University of Nottingham How do texts create meaning? how do we arrive at our textual interpretations? Why do we become 'lost in a book' or feel deep emotion in response to a literary character? Through close attention to the way texts are written and the language they use, as well as what we know about the human mind, Contemporary Stylistics: Language, Cognition, Interpretation provides readers with the tools to begin answering these questions. In doing so, it introduces the theoretical principles and practical frameworks of stylistics and cognitive poetics, supplying the practical skills to analyse your own responses to literary texts. including innovative activities for students and with case studies of work by writers like Dylan Thomas, E. l. James and Kazuo Ishiguro, this is a detailed analysis of contemporary stylistics that offers both historical contextualisation of the discipline and points towards its possible future direction. Alison Gibbons is Reader in Contemporary Stylistics at Sheffield Hallam University. Sara Whiteley is Senior Lecturer in Language and Literature at the University of Sheffield. Cover design & illustration: riverdesign.co.uk [EUP logo] edinburghuniversitypress.com ISBN 978-0-7486-8277-5 Barcode

Edition details

• Publisher: Edinburgh University Press
• Publication date: 2018
• Language: English
• ISBN 10: 0748682767
• ISBN 13: 9780748682768
• Binding: Hardcover
• Number of pages: 392