Deleuze and the Cinemas of Performance: Powers of Affection - Softcover

Professor Elena Del Rio

Softcover

ISBN 10: 0748649417 ISBN 13: 9780748649419

Publisher: Edinburgh University Press, 2012

Synopsis

The performing body privileges the notion of affective force over the notion of visual form, and Elena del Rio places this at the center of theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, del Rio defines 'affective-performative' cinema, the features of which unfold through detailed discussions of the movements, gestures, and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally Potter, Claire Denis, and David Lynch. She grounds her analysis in the body's powers of affection, proving the insufficiency of former theoretical approaches in accounting for the transformative and creative capacities of the moving body. 'Deleuze and the Cinemas of Performance' will interest scholars and students working with Deleuze, phenomenology, and feminism.

About this title

About the Author

Elena del Rio is Associate Professor of Film Studies at the University of Alberta, Canada.

From the Back Cover

This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally Potter, Claire Denis, and David Lynch. Key to the book's engagement with performance is a consistent attention to the body's powers of affection. Grounding her analysis in these powers, del Río shows the insufficiency of former theoretical approaches in accounting for the transformative and creative capacities of the moving body of performance.

Deleuze and the Cinemas of Performance will be of interest to any scholars and students of film concerned with bodily aspects of cinema, whether from a Deleuzian, a phenomenological, or a feminist perspective.

Features " The first study of the interface between Deleuzian theory and film performance. " A sustained consideration of the links between the body of performance and the body of affect. " A re-evaluation of central concepts in earlier film theory-from fetishistic spectacle and performativity to Brechtian distanciation, sadomasochism, and narcissism. " An analysis of the relation of the performative body to a feminist politics. " New readings of classical melodramas as well as contemporary independent cinemas.

Elena del Río is Associate Professor of Film Studies at the University of Alberta, Canada.

Edition details

• Publisher: Edinburgh University Press
• Publication date: 2012
• Language: English
• ISBN 10: 0748649417
• ISBN 13: 9780748649419
• Binding: Paperback
• Number of pages: 248