"The best suspense writer to put pen to paper since Alistair MacLean" (Stephen Coonts) follows up the international bestselling Firewall with the most gripping and timely Nick Stone mission yet. LAST LIGHT Top-secret operative Nick Stone has just aborted an officially sanctioned assassination attempt at the Houses of Parliament. Once he saw who his intended target was, he instinctively pulled out. Now Stone is in a world of trouble. His bosses have handed him a chilling ultimatum: fly to Panama and finish the job he just botched, or Kelly, the young orphan in his guardianship, will be killed. Deep in the sweltering jungle of Central America on an assignment that makes little sense to him, Stone quickly finds himself up to his neck in high-stakes action as he closes in on the key players in a lethal conspiracy involving Colombian guerrillas, the U.S. government, and Chinese big business. Only Stone can stop an international crisis and salvage Western interests, but first there is a critically injured friend to rescue, as well as miles of dense rainforest to navigate. In the explosive finale at the Panama Canal, with countless innocent lives hanging in the balance, Stone is forced to make the toughest decision of his life. Drawing on his experiences as a member of Britain's legendary Special Air Service, world-renowned thriller writer Andy McNab "delivers authenticity in spades" "(Publishers Weekly)." "McNab's greatest asset," according to London's "Sunday Times," "is that the heart of his fiction is not fiction: other thriller writers do their research, but he has actually been there."
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Last Light is a resounding demonstration of Andy McNab's evolving abilities, offering a richer level of plotting, along with the customary well-turned rough stuff. McNab might initially have seemed to be some kind of briefly shining star in the bestseller firmament, his SAS experience and well-advertised pseudonym guaranteeing a couple of toughly authentic thrillers in the style of Bravo Two Zero, and no more. But such successive books as Firewall, Remote Control and Crisis Four have categorically demonstrated that he has more than enough top-flight skills to sustain a long writing career.
In Last Light, after terminating an officially approved assassination bid at the Houses of Parliament when he realises the identity of the intended target, McNab's hard-as-nails protagonist Nick Stone, "deniable operator" of the intelligence services, is severely disciplined by his bosses. He is told to travel to Panama and finish the job, or he and Kelly (the 11-year-old girl he is guarding) will be "taken care of" themselves. As Nick gets ready for his assignment in central America, he soon finds that his enemies have turned the tables on him: he is now the hunted, and finds himself up to his neck in a murky plot involving Colombian rebels and the US government. All the usual McNab fingerprints are here: not too much shading, but flinty characterisation and a barrel load of high-velocity action.--Barry Forshaw
‘Gripping stuff ... Nick Stone makes Action Man look like a couch potato.’ Daily Express
‘McNab’s great asset is that the heart of his fiction is not fiction: other thriller writers do their research, but he has actually been there.’ Sunday Times
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