Women, the Arts and Globalization: Eccentric Experience (Rethinking Art's Histories) - Hardcover

Hardcover

ISBN 10: 0719088755 ISBN 13: 9780719088759

Publisher: Manchester University Press, 2013

Synopsis

Women, the arts and globalization: Eccentric experience is the first anthology to bring transnational feminist theory and criticism together with women’s art practices to discuss the connections between aesthetics, gender and identity in a global world. The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization. Bringing scholarly essays on gender, art and globalization together with interviews and autobiographical accounts of personal experiences, the diversity of the book is relevant to artists, art historians, feminist theorists and humanities scholars interested in the impact of globalization on culture in the broadest sense. -- .

About this title

About the Authors

Dorothy C. Rowe is Senior Lecturer in History of Art at the University of Bristol

Marsha Meskimmon is Professor of Modern and Contemporary Art History and Theory at Loughborough University

Dorothy C. Rowe is Senior Lecturer in History of Art at the University of Bristol

From the Back Cover

Contemporary art is embedded within the structures that characterise globalization - from the transnational circulation of artworks as commodities to the cross-cultural exchange of images, objects and ideas - and the multiple and mobile territories described by these structures are always, already gendered. Women, the Arts and Globalization: Eccentric experience is the first anthology to address these interlinked issues, bringing transnational feminist theory and criticism together with women's art practices in a coherent and sustained discussion of the legacy and trajectory of aesthetics, gender and identity on a global scale. The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women's art practices provide a fascinating instance of women's eccentric experiences of the myriad effects of globalization. Women, the Arts and Globalization offers a multifaceted approach to this topic, from a variety of perspectives and positions; some texts argue for paradigm shifts in disciplines, fields or methodologies, others provide first-hand accounts of making art as a border-crossing activity. Some essays take a dialogic, interview form, whilst others use a micro-level mode of 'close reading' to demonstrate how particular works of art can articulate transnational and gendered aesthetics. The book is relevant to artists, art historians, feminist theorists and humanities scholars interested in the impact of globalization on culture in the broadest sense.

Edition details

• Publisher: Manchester University Press
• Publication date: 2013
• Language: English
• ISBN 10: 0719088755
• ISBN 13: 9780719088759
• Binding: Hardcover
• Number of pages: 288
• Editor: Meskimmon Marsha, Price Dorothy