Molière et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Molière's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Molière took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Molière's stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity. This will appeal to lecturers and students of French Studies and Theatre Studies.
"synopsis" may belong to another edition of this title.
Robert McBride is a retired Professor of French at the University of Ulster
Molière et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Molière's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Molière took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Molière's stance towards religion.
The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity. This will appeal to lecturers and students of French Studies and Theatre Studies.Molière et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Molière s own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Molière took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Molière s stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity.This will appeal to lecturers and students of French Studies and Theatre Studies.
"About this title" may belong to another edition of this title.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Seller Inventory # M0719085845Z3
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780719085840. Seller Inventory # 9159063
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Condition: As New. Unread book in perfect condition. Seller Inventory # 12342504
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Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Molière et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Molière's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Molière took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Molière's stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity.This will appeal to lecturers and students of French Studies and Theatre Studies. Seller Inventory # LU-9780719085840
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # CX-9780719085840
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # CX-9780719085840
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Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Moliere et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Moliere's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Moliere took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Moliere's stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity.This will appeal to lecturers and students of French Studies and Theatre Studies. -- . A study of one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780719085840
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Molière et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Molière's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Molière took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Molière's stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity.This will appeal to lecturers and students of French Studies and Theatre Studies. Seller Inventory # LU-9780719085840
Seller: Romtrade Corp., STERLING HEIGHTS, MI, U.S.A.
Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide. Seller Inventory # ABBB-173982