'Women on the Renaissance stage' provides a unique reassessment of women's relationship to performance in Early Modern England. A study of women's participation in the Jacobean court masque, it gives detailed, historicised and interdisciplinary readings of the performances of Anna of Denmark (wife of James VI and I) in the Scottish and English Jacobean courts. Clare McManus investigates the staging conditions, practices and gendering of Anna's performances, from the ceremonies and festivities of the Scottish court to the English court masques of Jonson, Daniel, Campion and others. Current critical theorisations of race, class, gender, space and performance are brought to bear on the female courtly body in dance, staging, scenery, costume and make-up within what might be thought of as a feminine court. In doing this, McManus establishes a tradition of seventeenth-century female performance which provides a trajectory for the emergence of the professional female actors of the Restoration. This groundbreaking study of a hitherto neglected performance tradition will expand the understanding of gender and performance for scholars and students of Early Modern culture.
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Clare McManus is Professor of Early Modern Literature and Theatre at the University of Roehampton
Women on the Renaissance stage provides a unique reassessment of women's relationship to performance in early modern England. A study of women's participation in the Jacobean court masque, it gives detailed historicised and interdisciplinary readings of the performances of Anna of Denmark (wife of James VI and I) in the Scottish and English Jacobean courts.
Clare McManus investigates the staging conditions, practices and gendering of Anna's performances, from the ceremonies and festivities of the Scottish court to the English court masques of Jonson, Daniel, Campion and others. Current critical theorisations of race, class, gender, space and performance are brought to bear on the courtly woman's body in dance, staging, scenery, costume and make-up within what might be thought of as female court. In doing this, McManus establishes a tradition of seventeenth-century female performance which provides a trajectory for the emergence of the professional female actors of the Restoration. This innovative study of a hitherto neglected performance tradition will expand the understanding of gender and performance for scholars and students of early modern culture.Women on the Renaissance stage provides a unique reassessment of women s relationship to performance in early modern England. A study of women s participation in the Jacobean court masque, it gives detailed historicised and interdisciplinary readings of the performances of Anna of Denmark (wife of James VI and I) in the Scottish and English Jacobean courts.Clare McManus investigates the staging conditions, practices and gendering of Anna s performances, from the ceremonies and festivities of the Scottish court to the English court masques of Jonson, Daniel, Campion and others. Current critical theorisations of race, class, gender, space and performance are brought to bear on the courtly woman s body in dance, staging, scenery, costume and make-up within what might be thought of as female court. In doing this, McManus establishes a tradition of seventeenth-century female performance which provides a trajectory for the emergence of the professional female actors of the Restoration.This innovative study of a hitherto neglected performance tradition will expand the understanding of gender and performance for scholars and students of early modern culture.
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Paperback. Condition: Used-Like New. Clean copy. May have remainder mark. Seller Inventory # 2034539
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. This work reassesses women's relationship to performance in Early Modern England. It investigates the staging conditions, practices and gendering of Anna of Denmark's performances, bringing current critical theorisations to bear on the female courtly body in the Jacobean court. Num Pages: 288 pages, 25 b&w illustrations, table, notes, bibliography. BIC Classification: 1DBK; 1DBKE; 1DND; 3JB; 3JD; AVGM; HBJD; HBLH; JFSJ1. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 142 x 215 x 16. Weight in Grams: 354. . 2002. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # 9780719062506
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. This work reassesses women's relationship to performance in Early Modern England. It investigates the staging conditions, practices and gendering of Anna of Denmark's performances, bringing current critical theorisations to bear on the female courtly body in the Jacobean court. Num Pages: 288 pages, 25 b&w illustrations, table, notes, bibliography. BIC Classification: 1DBK; 1DBKE; 1DND; 3JB; 3JD; AVGM; HBJD; HBLH; JFSJ1. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 142 x 215 x 16. Weight in Grams: 354. . 2002. Paperback. . . . . Seller Inventory # 9780719062506
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Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 68364090-6
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Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # GRP84187833
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Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. This work reassesses women's relationship to performance in early modern England. It investigates the staging conditions, practices and gendering of Anna of Denmark's performances, bringing current critical theorisations of race, class, gender, space and performance to bear on the female courtly body in dance, staging, scenery, costume and make-up in the Jacobean court. The study establishes a tradition of early seventeenth-century female performance which constitutes a trajectory for the emergence of the professional Restoration female actor. Anna of Denmark, wife of James VI of Scotland/James I, was a great patron of Ben Johnson, among others. Seller Inventory # LU-9780719062506
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Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780719062506. Seller Inventory # 7869195
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