Spike Bucklow sets out to unravel the myths behind pigments like dragonsblood said to be a mixture of elephants and dragons blood. Examining both the medieval palette and the often cloak-and-dagger science that created it, he uncovers the secret recipes behind the luxurious colours we are familiar with today. Driven by an overriding passion for art his aim is to restore value to colour and sever the links forged between corporations and the colours they have hijacked.
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Spike Bucklow trained as a chemist. He synthesized sex pheromones for cockroaches, then developed materials for use in special effects. His latex creations feature in films including Indiana Jones, Greystoke, Little Shop of Horrors, Princess Bride and the 1980s satirical show Spitting Image. He then studied Artificial Intelligence and briefly worked in technical management consultancy where he discovered art concervation. He gained a PhD in art history, and is now a Senior Research Scientist and Teacher of Theory based at the Hamilton Kerr Institute in Cambridge. He has written about pigment use in art for a number of journals and draws on a wide range of experience to develop his ideas.
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Paperback. Condition: new. Paperback. The Alchemy of Paint is a critique of the modern world, which Spike Bucklow sees as the product of seventeenth-century ideas about science. In modern times, we have divorced color from its origins, using it for commercial advantage. Spike Bucklow shows us how in medieval times, color had mystical significance far beyond the enjoyment of shade and hue.Each chapter demonstrates the mindset of medieval Europe and is devoted to just one color, acknowledging its connections with life in the pre-modern world. Colors examined and explained in detail include a midnight blue called ultramarine, an opaque red called vermilion, a multitude of colors made from metals, a transparent red called dragonsblood, and, finally, gold.Today, "scarlet" describes a color, but it was originally a type of cloth. Henry VI's wardrobe accounts from 1438 to 1489 show that his cheapest scarlet was 14.2s.6d. and that scarlets could fetch up to twice that price. In the fifteenth century, a mid-priced scarlet cost more than two thousand kilos of cheese or one thousand liters of wine. This expense accounts for the custom of giving important visitors the "red carpet treatment."The book looks at how color was "read" in the Middle Ages and returns to materials to look at the hidden meaning of the artists' version of the philosopher's stone. The penultimate chapter considers why everyone has always loved gold.Spike Bucklow is a conservation scientist working with oil paintings at the Hamilton Kerr Institute in Cambridge. A fascinating look at how pigments were created, used, and revered in the Middle Ages. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780714531724
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