David Selbourne was of the most exciting and original new playwriting talents to emerge in the British theatre in the Seventies. He has a deep perception of individual character and psychology related firmly to a Marxist outlook, which, however is never didactic, but is freshly and vividly expressed: and he combines these qualities with a highly personal and unique poetic style that is strange, compelling and sends echoes and ripples of deeper meanings reverberating through the reader's mind. His plays `The Play of William Cooper' and `Edmund Dew-Nevett', `The Two-Backed Beast' and `Dorabella' have all been published, and successfully produced by three of the most progressive repertory companies in Britain (The Northcott Theatre, Exeter, The Everyman Theatre, Liverpool and The Traverse Theatre Club, Edinburgh, respectively) - and the plays in this volume provide further evidence of his developing talent.
`Samson' catches a young man at the last stages of struggle with a dominating father. He suffers several final humiliating setbacks before reaching the verge of an ambiguous emotional independence. The play is written with irony, compassion and humour.
`Alison Mary Fagan' breaks new ground in concepts about plays. It revolves around a real person (Alison Fiske, the actress) and shows in successive scenes, details of her marriage, her fantasy life, her dreams and ambitions. In its entirety, it is a beautiful and poignant study of the mind and emotions of a young woman.
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David Selbourne was born in London in 1937, educated at Manchester Grammar School and Balliol College, Oxford, trained as a lawyer and is now a tutor in political theory at Ruskin College, Oxford.
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