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Albert Packer is the supreme baron of London crime, ruling his domain with a ruthless fist and thinking of himself as the Untouchable.
As yet another criminal case against him collapses, Packer turns his attention to expanding his heroin empire abroad, deciding to travel to Sarajevo himself in order to cut out the middle man.
But the Customs & Excise unit tasked with taking him down are determined not to give up. Packer may be king on his home turf, but on the war-torn streets of a city where justice is enforced by gangster warlords, he might just make a mistake. And Joey Cann, obsessed with bringing Packer to justice, will be there when he does.
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Gerald Seymour has never compromised in his avowed aim of writing richly created, ambitious and innovative thrillers that always challenge the reader's expectations. Travelling to the hot spots that are so vividly rendered in his books gives him the backgrounds he excels in, and his use of locales (such as the Balkans in this novel, The Untouchable) remains non-pareil.Here, Seymour again demonstrates his grasp of cutting-edge issues: the grim effects the drug culture is having on the world, and locating the book in Sarajevo allows Seymour to tackle the issue of the West's involvement in foreign zones of conflict when the wars finish and they fade from our memory.
The eponymous "untouchable" is Albert William Packer, known to all as Mister. A career criminal, he dispenses rough justice on his manor without mercy, punishing any opposition terminally. When a Customs and Excise case against him is torpedoed, Packer decides to expand. Buying heroin from the Turks in London's Green Lanes no longer satisfies him, so he decides to travel to Sarajevo where he plans to negotiate safe transit through the black market crossroads that is the former Yugoslavia. But he has a nemesis: Home Office Archivist Joey Cann determines to bring Packer down and follows him and his thugs to Sarajevo.
Cann initially appears to be a loser, but the inevitable confrontation between the two men in the lethal surroundings of Sarajevo changes both their lives forever. Joey Cann is a protagonist more in the le Carré mould than Seymour's customary professional men of action, and his inexorable stripping away of Packer's sinister layers is expertly done. As always with Seymour (in such books as Holding the Zero and A Line in the Sand), the dividing line between good and evil is never clear and the moral ambiguities here are quite as satisfying as the utterly involving narrative. --Barry ForshawReview:
A clever, informed and wordly cynical story about arrogance, obsession and tragedy (The Times)
A genuinely exciting epic... the novel has a truly memorable final chapter... entertaining (Independent)
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